Support Equipment

Managing HDR for Sweet Magnolias

Thu, 03/03/2022 - 09:50 -- Nick Dager

Netflix’s Sweet Magnolias is a dramatic romance tale set in the South about three lifelong friends navigating their personal and professional priorities and relationships alongside one another. Sweet Magnolias cinematographer Brian Johnson is a Gemini Award nominee, a two-time Golden Sheaf award winner and recipient of two Leos, whose resume includes The Killing, and You Me Her, to name a few. He was joined on the series by Tyler Blackwell, digital imaging technician, whose credits include One Night in Miami…, Ant-Man and the Wasp, and Women of the Movement, among others. Johnson shot with a Sony Venice full-frame digital cinema cameras. Blackwell follows the production on a combination of Sony PVM-X2400 and BVM-HX310 4K high dynamic range monitors.

Steadicam Introduces New M-2 Core Kits

Wed, 03/02/2022 - 09:53 -- Nick Dager

The most integrated and adaptable Steadicam system ever made is now available in a more affordable option with the introduction of the new M-2 Core Kits. Specially configured and priced to provide operators with an entry point into the Steadicam M-Series ecosystem, the M-2 Core Kits utilize the same lightweight components and modular design that has made the M-2 an industry standard.

Snoppa Introduces Rover Dolly with Electronic Stabilization

Mon, 02/14/2022 - 11:10 -- Nick Dager

The Chinese technology company Snoppa has released Rover, a cinema dolly with an electronic stabilization system. Rover is essentially a shooting robot that removes obstacles that the ground creates. It can carry heavy and bulky professional cameras, move stably on a variety of bumpy surfaces, and has programmable automation function. For film crews, it can significantly reduce labor costs and improve work efficiency by introducing a new type mobile shooting equipment to the filming environment.

Shooting in Rain, Salt Water and Sand

Mon, 09/27/2021 - 11:59 -- Nick Dager

Some of the world’s most spectacular views are best seen from halfway up a wall of rock. That’s a place where gear has to be reliable, whether it’s crucial safety equipment or the cameras that let the rest of us experience the same dizzying panorama. It’s also a familiar situation to alpinist Renan Ozturk, whose experience includes some of the steepest climbing challenges on the planet as well as documentary filmmaking and photojournalism covering everything from the freezing Himalayas to the African deserts of Chad.

Arri Rental to Open Facility in Long Island City, New York

Mon, 08/16/2021 - 10:36 -- Nick Dager

Arri Rental North America, a leading camera, lens, and grip equipment rental service company, announces plans to open a new headquarters in Long Island City, New York, during the first quarter of 2022. The facility will offer comprehensive equipment and exceptional services, enabling Arri Rental to provide an even higher caliber of service and support to its customers. The new location will also serve as a creative hub for production communities in New York and the greater Northeastern region

Fifty Fifty Post Installs a Leader Waveform Monitor

Tue, 08/03/2021 - 12:02 -- Nick Dager

Awarding-winning production and post-production house Fifty Fifty in London has invested in a Leader LV5600 broadcast-quality waveform monitor for use at its Soho headquarters. The newly installed instrument is being used as the master reference for quality control of television and digital film productions. It was supplied by Leader distribution partner Thameside.

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