In Columbia Pictures’ Jumanji: The Next Level, the gang from the 2017 hit, Jumanji: Welcome to the Jungle, is back but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world’s most dangerous game. The film, which made its way to North American theatres in December, has collected more than $600 million at the global box office. Also marking a return engagement is the team from Sony Pictures Post Production Services that created the earlier film’s soundtrack.
Dolby Laboratories congratulates this year’s Academy Award nominees who have used Dolby Vision and Dolby Atmos to bring their films to life. With the help of Dolby technologies these artists delivered spectacular experiences to audiences globally. The Academy Awards will be broadcast live from the iconic Dolby Theatre in Hollywood, on Sunday, February 9.
Aiming to tap the current boom in film and television production, Signature Post, a fully immersive sound editorial and mixing facility, has launched in Burbank, California. Built by Kaiser Comm Construction, the all-new facility features three Dolby Atmos-certified mix stages and an automated dialogue replacement production stage and will cater to high-end feature and television projects.
Nugen Audio today announced that its brand has earned an official trademark in China, following a several months-long approvals process. The trademark was fully authorized by the China Trademark Office on October 7. Nugen registered for the trademark on recommendation from its Chinese distributor, Music Marketing, as a means of protecting the brand name and company IP within the Chinese market. This trademark gives the company total control over its brand for the next ten years.
James Longeretta, owner of post-production systems provider Vortechs, has teamed with veteran supervising sound editor/re-recording mixer Joe Schultz (Once Upon a Time, Lost, Amazing Stories for Apple TV) to launch Waterman Sound. The facility offers sound editorial, sound design, mixing, and automated dialogue replacement from its newly built studio in Toluca Lake, California. The company has hired ADR mixer Marilyn Morris (Captain Marvel, Miss Sloane), formerly of Skywalker Sound and Dubbing Brothers, to helm its ADR stage
For as long as he can remember, producer/mixer Alvin Wee has loved music and film; and he was fortunate enough to cut his teeth working with composers and record producers in Los Angeles on film projects such as Kung Fu Panda, Kingsman and Eddie the Eagle. Having such a strong background in the industry, Wee takes pride in knowing that when someone hands a project off to him it will be done correctly, and well.
Established in 1994 by composer, sound designer and dialogue director Rob King, Green Street Studios has accumulated more than 20 years of experience in audio and music production for video games, film, music and other media. Anticipating the growing acceptance of immersive-sound projects for games, film and television, King spent much of the last two years auditioning speakers for the 7.1.4 array he knew would become the standard in the emerging immersive media environment.
Sim, which recently completed a major expansion of its post-production facility in New York City, has seven new rooms there, four that accommodate audio. All four new audio rooms and a central machine room are linked using a network employing components from Focusrite’s RedNet range of Dante-networked audio converters and interfaces. There are now three broadcast audio 5.1-surround mix suites, one with Dolby Atmos capability, and an ADR/VO recording studio, which can accommodate as many as five actors.
San Francisco’s One Union Recording Studios has received certification from Dolby Laboratories to provide sound mixing services in Dolby Atmos. The certification applies to One Union’s Studio Four and includes a Dolby Laboratories wall plaque signifying that the space conforms to technical specifications consistent with the immersive sound format.
The Climb, director Michael Angelo Covino’s engaging debut feature, centers on the complex friendship between two men, Michael and Kyle, played by Covino and real-life friend Kyle Martin. For its Foley team from Alchemy Post Sound (working under supervising sound editor/re-recording mixer Ryan Billia), The Climb posed unique creative and technical challenges. Its first act centers on a bike ride that Michael and Kyle take in France prior to Kyle’s wedding. As the two men ascend a long hill, Michael makes a stunning admission regarding his friend’s fiancé. The results are disastrous with the men ultimately becoming involved in a violent confrontation with a passing motorist. Adding to the tension, the whole scene is captured in a single, intricately choreographed Steadicam shot.