Editing Sound

Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation.

Production sound mixer Ben Nimkin has worked on a long list of compelling documentaries including Fyre Fraud; Rest in Power: The Trayvon Martin Story; States of Undress; Gaycation and more. With a specialty for investigative documentaries, Nimkin is no stranger to capturing highly emotional conversations and working in extreme environments. Experience has taught him – sometimes the hard way – that in documentary work you usually have just one chance to get the sound right.

Called “one of the most prescient films of the decade,” She Dies Tomorrow from Neon and writer/director Amy Seimetz, centers on a woman who believes she is about to die from a mysterious illness that is also highly contagious. The psychological thriller, which recently went through sound and picture finishing at Goldcrest Post in New York, delves into universal feelings of anxiety and dread through a story that blends horror, humor, drama and the surreal. Seimetz used sound to convey the feeling of fear.