Creating the Sounds of Spiderman
Sony Pictures Post Production Services assembled an all-star lineup of talent to create the sound in Columbia Pictures and Marvel Studios’ Spider-Man: Homecoming.
Editing Sound
Foley Plays a Good Time Role
Alchemy Post Sound provided Foley effects for Good Time, the new thriller from directors Benny and Josh Safdie, supporting its action, vivid imagery and dark humor with creative sound. Working under the direction of supervising sound editor Ryan M. Price, MPSE, and re-recording mixer Evan Mangiamele, the Alchemy team (consisting of Foley artists Leslie Bloome and Joanna Fang and Foley mixers Ryan Collison and Nicholas Seaman) produced a vast assortment of custom sounds in preparing the film for festival screenings.
Storyline Changes the Audio Workflow
For Gisle Tveito, a 26-year veteran, supervising sound editor, dubbing mixer, and one of the owners of Storyline, getting the sound design process to run closer to parallel with the video editing process has always been a goal. While many sound departments wait for picture-lock before starting to work on the sound, the team at Storyline is breaking the mold of the traditional serial workflow by closely aligning audio with video editors from the first cut.
Outloud Audio Installs Fortium MediaSeal Encryption Software
Outloud Audio, Los Angeles and New York, is now using MediaSeal encryption software to protect its unaired TV and movie content at file level during the sensitive stages prior to release.
Levels Audio Raises the Bar
Levels Audio prides itself on being the best and most luxurious post-production/mixing studio in the heart of Hollywood. Founded and run by multiple-Emmy award winning engineer Brian Riordan, the 14,000 square foot, state-of-the-art facility recently added Mix 9, a bespoke Dolby Atmos mix stage, where an Alcons Audio CRMS mkII Cinema Reference Monitor System is making a big impression.
Editing Sound for Object-Based Audio Formats
The landscape of sound for picture is moving at a faster clip than ever before. Cinema sound and television audio – broadcast and streamed – are both racing from 5.1 surround to 7.1 to formats that range from 11.2 in broadcast for residential applications to as many as 64 individual speaker locations for object-based audio platforms like Dolby’s Atmos and Auro Technologies’ Auro-3D.
Managing Today’s Sound Landscape
The landscape of sound for picture is moving at a faster clip than ever before. Cinema sound and television audio – broadcast and streamed – are both racing from 5.1 surround to 7.1 to formats that range from 11.2 in broadcast for residential applications to as many as 64 individual speaker locations for object-based audio platforms like Dolby’s Atmos and Auro Technologies’ Auro-3D.
Doli Media Studio Upgrades with Playbox
Doli Media Studio of Sofia, Bulgaria, has installed PlayBox Europe’s Lapis with SubtitleNext and Executor Sync Master to power its creative sound production workflow across their newly refurbished and upgraded facilities.
What Makes Award-Winning Sound?
For the second year, the Dolby Institute and the SoundWorks Collection have collaborated to produce a series of podcast conversations with the artists nominated for Academy Awards for Best Achievement in Sound Editing and Best Achievement in Sound Mixing.
AlphaDogs Completes Trouble Man
AlphaDogs Post Production has completed work on the AFI Film, Trouble Man, directed by Jackson Young. The story follows the life of a high school senior who after turning his life around falls into a downward spiral that may prevent him from reaching his dreams of getting into college.
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