Sony PDP Posted Cloudy with a Chance of Meatballs 2
Sony Pictures Digital Productions did the post-production work for Sony Pictures Animation’s Cloudy with a Chance of Meatballs 2, the much-anticipated sequel to the 2009 hit.
Visual Effects
Cinematographer Gives San Francisco’s Fog Definition
San Francisco is one of the most beautiful cities to shoot – hills, architectural variety, Mother Nature’s beauty – and the inevitable fog. That fog was something that could have hampered photographer Alex Pitt’s recent time-lapse shoot.
Autodesk Flame Premium 2014 Ignites Creativity, Fuels Artistic Control
Autodesk announced the new capabilities of its Flame Premium 2014 software at the International Broadcasting Convention 2013.
Autodesk Offers Pay as You Go Option for Design and Creation Tools
Autodesk customers can now pay as they go for all of the company’s latest design and creation suites including Autodesk 3ds Max, Autodesk Maya and the new Autodesk Maya LT.
Effects Came First on Elysium
32Ten Studios, San Rafael, California provided a number of practical effects for Elysium, some of which were done well before principal photography on the film even started.
Filmmaker Patryk Kizny Gives The Chapel a Rebirth
Film director and cinematographer Patryk Kizny and LookyCreative assembled the 2010 short film The Chapel using motion controlled HDR time-lapse to achieve an interesting, hyper-real aesthetic.
Hybride Completes 318 VFX Shots for Pacific Rim
Hybride, a division of Ubisoft, in collaboration with Industrial Light & Magic, recently completed VFX work on 318 shots for acclaimed filmmaker Guillermo del Toro’s long-awaited and highly anticipated new film, Pacific Rim.
Making Lava Land
Lava Land, shot on location on Hawaii's Big Island in stereo 3D follows the exploits of brave scientists and hardy residents, from rainforests to barren rock, where lava flows from boiling vents.
Rising Sun Pictures Creates 260 VFX Shots for The Wolverine
Rising Sun Pictures created more than 260 visual effects shots for The Wolverine, the new action film from director James Mangold and Twentieth Century Fox. RSP helped to recreate the World War II atomic bomb attack on Nagasaki, Japan. It also produced digital environments for a number of sequences, including a scene set in a snow-covered Japanese village, and combat effects such as digital copies of Wolverine’s iconic claws for use in numerous scenes involving challenging stunts.
32Ten Studios Blows up a Bridge for The Lone Ranger
32Ten Studios, San Rafael, California provided a number of practical effects for Disney/Jerry Bruckheimer Films’ The Lone Ranger, which opened July 3rd in the U.S. 32Ten worked directly with Disney’s associate producer and VFX producer Shari Hanson, ILM’s VFX supervisor Tim Alexander and MPC's VFX supervisor, Gary Brozenich. The primary sequence created by 32Ten was the destruction of the train trestle bridge, including several shots of the bridge blowing up and collapsing.
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