The Women’s Film Preservation Fund, a project of New York Women in Film & Television, is accepting submissions for its film Preservation grants for this year. This is not a production grant. The deadline is June 15.
Digital distribution company Alchimie is extending its partnership with Unified Streaming. Alchimie, headquartered just outside Paris, advises rights owners who are dealing with companies such as Google, Amazon, Apple, Samsung, and Orange to name a few. Unified Streaming has worked with Alchimie since 2015. By installing their web-server plug-in Unified Origin, Alchimie says it has been able to offer stable, scalable live and on-demand streaming to all its partners, who, in turn, can unfailingly satisfy their customers as the final users
For the second year in a row, Arts Alliance Media has been chosen to provide cinema software to the 2018 Sundance Film Festival. AAM’s Theatre Management Software is also powering the cinema screens of six Sundance Institute venues throughout the festival.
Powster has launched the official movie platform for Unrest to support the filmmaking team, promote the movie and increase ticket sales.
Making a film for the first time is a challenge enough in itself, but post-production can sometimes be even more daunting. Aspiring filmmaker Michael Thibault said, “Strangely, all the things we were warned about – actors, scheduling, permits, etc – weren’t a problem at all. But when it came to post-production, it was a complete nightmare until we brought the show to AlphaDogs. We tried to get by cheap and skip using a professional post house, only to find out these freelance colorists and audio mixers have no clue as to what they are doing.”
Shanra J. Kehl’s The Morning After features eight intercut vignettes shot in eight locations in 11 days, telling the story of the moment when you wake up next to someone... the next morning. Kehl served as director/writer/producer and cinematographer on the film. She shot with shot with Cooke S4/I lenses.
The United States is the only country in the developed world that does not guarantee its citizens paid family leave. In the new documentary Zero Weeks, which premieres November 11 at DOC NYC in New York City, director Ky Dickens explores the impact of that policy on families dealing with the birth of a child, a medical crisis or an aging parent. For many Americans, especially those with low incomes, it comes down to a choice between keeping a job and caring for someone they love.
Back for their seventh year, from November 29 through December 3, the Irish Film Festival London will present Ireland’s latest mainstream and independent films over five days across London with exclusive previews, panel discussions and director’s Q&As. This year’s festival opens with The Drummer and the Keeper, directed by Nick Kelly, telling the touching story of an unlikely friendship that develops between the bipolar drummer of a rock band and an institutionalized teen suffering from Asperger's syndrome.
Preparations for a wave of winter sports action are in full swing at the Whistler, British Columbia production offices of Sherpas Cinema. Creators of the classic free-skiing films All.I.Can and Into the Mind, as well as sports-themed ads for Jeep, Ram Trucks, Audi, The North Face and others, the Sherpas expect big demand for the unique blend of artistry and technical chops they bring to winter sports filmmaking.
Writer/director Paul Shoulberg’s vision for his feature The Good Catholic was to have it not look like a typical romantic comedy, but to take on a more naturalistic look and feel. To help achieve that vision, cinematographer Justin Montgomery, who worked with Shoulberg on a previous short project, selected Cooke’s S4/i prime lenses to take advantage of their warmth and bokeh, giving images a creamy quality with sharpness.