Last July PostWorks New York announced that it had formed a new digital film distribution service, PostWorks Digital Cinema, and hired industry veteran Greg Fornero to lead it. The plan was to work with indie film producers and distributors, international film festivals and independent digital intermediate facilities to provide digital cinema package duplication, drive set rentals and sales, KDM management and broadband content delivery services. To get a progress report on the new service I recently visited the PostWorks’ facility in New York City’s Tribeca neighborhood to meet with senior vice president for theatrical services Clark Henderson.
June Pictures and Nine Stories, in association with the Oklahoma Film + Music Office, has begun principal photography in Oklahoma on the feature film Wildlife. Paul Dano will bring Richard Ford’s American classic Wildlife to the screen, marking his directorial debut. Academy Award nominees Jake Gyllenhaal and Carey Mulligan are starring in this period drama.
Indie Crowd Funder, in conjunction with Daniel Myrick (DGA/WGA) director, writer, producer (The Blair Witch Project), Shintaro Shimosawa, (DGA) director, writer, producer (The Grudge, The Grudge 2), Randy Greenberg, executive producer (Cowboys & Aliens, Meg), producer Autumn Bailey-Ford (PGA), have announced the launch of a new film, television, new media and virtual reality fund.
Richard Bakewell, best known for his camerawork on such television shows as Cops and Intervention, recently penned his second film. To create a proof-of-concept and short film based on an ‘80s throwback horror-genre feature-length screenplay Postpartum, he took the helm as director and executive producer.
A fan-funded documentary, which examines the legacy of one of Hollywood’s best-loved action movie franchises is being made by a University of Northampton, United Kingdom, graduate. Filmmaker Christopher Griffiths, who graduated from the Media Production degree course in 2013, raised £34,000 on the Kickstarter funding platform to make RoboDoc, which explores the making and legacy of the RoboCop franchise.
The 11th Seattle South Asian Film Festival closed Sunday with a screening of the tender comedic drama Waiting (2015) from Indian director Anu Menon (London Paris New York, X: Past is Present). Short filmmaker Saad Khan was on site to talk about his short film Brother, Omar Mateen (2016), which engages with the intersection of sexuality, religion, and extremism in the aftermath of the 2016 Orlando nightclub shooting. After a filmmaker Q&A and before the festive Closing Night Gala that followed, the SSAFF 2016 Audience Awards in three categories were announced.
The Orchard has acquired rights to Hunter Gatherer, the debut film from filmmaker Josh Locy. Rough House Pictures will release the film in theaters in New York and Los Angeles on November 16 with a theatrical rollout to follow. The Orchard will release the film via digital platforms in early 2017.
Burbank-based AlphaDogs recently completed the post on writer, director, producer Robert McGinley’s new cyberpunk musical thriller Danger Diva. AlphaDog’s lead colorist and founder Terence Curren created the look for the film, which was shot entirely in 5K.
Ymagis Group completed work on director Kleber Mendonça Filho’s Aquarius, the first feature-length film entirely remastered using EclairColor digital color technology. Screened in competition at the 2016 Cannes Film Festival, Acquarius is scheduled for release in cinemas across France on Wednesday.
As soon as DP/director Alex Lehmann got the go-ahead to shoot Blue Jay, his first feature film, he immediately knew he wanted to shoot it in black and white, and he knew what camera he was going to use. He’d tested the new Canon ME20F-SH multi-purpose camera for a horror film he was set to shoot, but which never got made. He felt the camera was ideal for Blue Jay because it satisfied several concerns: it works in extremely low light, was affordable and is simple to operate. Shooting in black and white was a creative choice. “We were going for a timeless feeling,” Lehmann said.