Independent Filmmakers

Land of Gold First to Film at Cherokee Nation’s Soundstage

Mon, 06/27/2022 - 11:00 -- Nick Dager

The Cherokee Nation and its film office are celebrating the world premiere of Land of Gold, the 2021 winner of AT&T Presents: Untold Stories, and the first production of its kind to be filmed at the tribe’s studios and virtual soundstage located in Owasso. The film, directed by award-winning filmmaker Nardeep Khurmi, debuted at the Tribeca Festival in New York City this month.

Four Ukranian Filmmakers Selected for Göteborg Residencies

Mon, 06/20/2022 - 12:46 -- Nick Dager

Four Ukrainian directors and screenwriters have now been selected to the Göteborg residencies that were announced in May. Göteborg Film Fund: Ukraine is also now working on ways to offer additional support for dissemination of Ukrainian films, and for filmmakers working in Ukraine. More than 35 applications were submitted for the residency program, which is a cooperation with HDK-Valand, at the University of Gotenburg, and financed by Region Västra Götaland. Three of the participants will arrive during the end of June/beginning of July, and the fourth in August.

Supporting Minority Filmmakers

Tue, 06/07/2022 - 12:50 -- Nick Dager

This summer, hundreds of professional filmmakers in New York City will join forces to create six short films as part of the Women’s Weekend Film Challenge. A grassroots initiative founded in 2017 by filmmakers Katrina Medoff and Tracy Sayre, WWFC aims to address the lack of women and nonbinary people behind the camera and on screen through a variety of programs, including its signature film challenge.

Göteborg Opens Call for Film Fund Residencies

Wed, 05/11/2022 - 08:59 -- Nick Dager

In cooperation with The University of Gothenburg and Region Västra Götaland, the Göteborg Film Fund 2022 is now opening the call for three residencies with a duration of three months each. The Göteborg Film Fund is an initiative from Göteborg Film Festival to support films and filmmakers in regions where filmmaking is difficult, due to economic or political reasons.

Nice Shoes Color Grades A Father’s Son

Tue, 05/10/2022 - 08:49 -- Nick Dager

Color grading and editorial finishing for A Father’s Son, director Patrick Chen’s short film about the murder of a teenage boy in Manhattan’s Chinatown, was completed at Nice Shoes in preparation for its world premiere at the 17th Annual Disorient Asian American Film Festival in Oregon. Colorist Phil Choe worked with Chen, cinematographer Jason Chew and editor Xiaoya (Patricia) Ma in polishing the look of the film.

Two Latinx Filmmakers Get NYWIFT Grants

Mon, 05/09/2022 - 09:39 -- Nick Dager

New York Women in Film & Television will provide film production grants to El Pueblo vs. Austeridad / The People vs. Austerity and Coquito. The projects come from two of the 12 media making teams selected for Good Pitch Local Puerto Rico, where they pitched live from Puerto Rico via webcast to a group of advisors, with connections to non-governmental organizations, distributors, and foundations.

Dolby Institute Emerging Filmmaker Winning Films Screened

Wed, 05/04/2022 - 12:09 -- Nick Dager

The winning films in the Dolby Institute x Ghetto Film School Filmmaker Finish the Script Challenge were screened late last month in separate events in Los Angeles and New York. The winners are Alejandra Araujo of Jamaica, New York for Shipped Out; Eleanor Cho of Artesia, California for Dinner is Ready; Antonio Salume of Mexico City, Mexico, and Amy B. Tiong of Waterbury, Connecticut for Take Care Zora; and Christian Osagiede of Los Angeles, California for Hunted.

Who Owns an Indie Film?

Mon, 04/18/2022 - 16:21 -- Nick Dager

Making a successful feature film is one of the most difficult things there is to do. Having adequate financing in place is just part of the challenge. Several other elements are just as critical including a good script, a talented cast and crew, a laundry list of sophisticated technology, decent weather, and a lot of luck. With a completed feature film in hand, a filmmaker still must find a company that shares a passion for that film and will agree to distribute it properly. For many successful independent filmmakers, that is where their job ends. But should it end there?

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