OTT

Two Looks for 13 Reasons Why

Mon, 04/24/2017 - 14:18 -- Nick Dager

One of the most honest portraits of teenage life, 13 Reasons Why is a Netflix series based on the 2007 young adult novel by Jay Asher and adapted by Brian Yorkey. Academy Award winning writer/director Tom McCarthy worked with cinematographer Andrij Parekh (Show Me a Hero, Blue Valentine) with Panasonic VariCam 35 cinema cameras to capture a distinctive look for the first two episodes of the series.

Something Different, Station Film Team up for Documentary Seed

Tue, 04/11/2017 - 14:40 -- Nick Dager

Directed by Andrew Wonder and produced by Something Different and Station Film, the documentary Seed follows three Silicon Valley high school students, five college students from Nairobi and an Uber driver from New York as they hone their pitches and eventually present them to a panel of venture capitalists and industry leaders at AngelHack’s ninth annual Global Demo Day.

Comedy with a Cinematic Look

Fri, 03/10/2017 - 12:33 -- Nick Dager

Two Netflix shows – Master of None and Love – have three things in common: both are comedies, both have a cinematic look and cinematographer Mark Schwartzbard shot both. Created by comedian Aziz Ansari and Alan Yang, Master of None tells the story of Dev, a 30-year-old actor who attempts to balance his career and love life in New York City. Love, created by Judd Apatow (Trainwreck, This Is 40), Paul Rust, and Lesley Arfin, explores an intense relationship between two Angelenos, Mickey (Gillian Jacobs) and Gus (Paul Rust).

Fandango, HBO Partner on Content

Mon, 02/06/2017 - 13:28 -- Nick Dager

Fandango today announced a new relationship with HBO Home Entertainment to make HBO’s award winning content available for purchase via digital download on FandangoNow. Individual episodes and seasons of HBO content will join FandangoNow’s robust collection of 40,000 new release and catalog movies and TV shows.

New Report Explores Impact of Movies On Demand

Fri, 01/27/2017 - 11:38 -- Nick Dager

European films now get a longer lifespan thanks to their release via on-demand platforms, whatever their business model – subscription based, pay per view or advertising financed. This booming generation of new distribution channels represents a powerful means of boosting a film’s overall career. So it’s logical that European filmmakers are looking to on-demand services to give European movies a much needed shot in the arm. But what’s law got to do with it?

Film Arcade Signs Distribution Deal with Universal Pictures

Tue, 12/06/2016 - 14:16 -- Nick Dager

The Film Arcade and Universal Pictures Home Entertainment have entered into a multi-year home entertainment distribution agreement in which Universal will handle all marketing, sales and distribution services for Blu-ray, DVD, electronic sell-through, video-on-demand and television of The Film Arcade films in the U.S. and Canada.

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