Cinematography

The film We Are Lady Parts is Nida Manzoor’s anarchic and irreverent music comedy about a Muslim female punk band – called Lady Parts – who are on a mission to find a lead guitarist and maybe, just maybe, get a proper gig. It was the first time she and cinematographer Diana Olifirova had worked together, but Olifirova described all the people on board for the series as a dream team.

“When you’re preparing a film you can indulge in dreamy conversations –– it’s an essential part of the process that gets infused into the work,” says cinematographer Sam Levy. “But once you’re on set, and the clock is ticking, you find yourself a passenger on a moving train. Sometimes it’s a slow-moving train, but that train is moving. This was very much the case when we shot Karen Cinorre’s new film Mayday.”

Some of the world’s most spectacular views are best seen from halfway up a wall of rock. That’s a place where gear has to be reliable, whether it’s crucial safety equipment or the cameras that let the rest of us experience the same dizzying panorama. It’s also a familiar situation to alpinist Renan Ozturk, whose experience includes some of the steepest climbing challenges on the planet as well as documentary filmmaking and photojournalism covering everything from the freezing Himalayas to the African deserts of Chad.