This summer, hundreds of professional filmmakers in New York City will join forces to create six short films as part of the Women’s Weekend Film Challenge. A grassroots initiative founded in 2017 by filmmakers Katrina Medoff and Tracy Sayre, WWFC aims to address the lack of women and nonbinary people behind the camera and on screen through a variety of programs, including its signature film challenge.
In Doctor Strange in the Multiverse of Madness, Marvel Studios pushes the boundaries of reality – and then keeps going. With broken universes, environments wrapped in illusion and magical traps that shatter the world, the film introduces visual elements unlike anything ever seen before. To help show audiences a new look at reality, Marvel Studios turned to long-time visual effects partner and Oscar-winning studio, Digital Domain.
Since the dawn of color cinema, there has always been a demand for a skilled and sympathetic person to guide color throughout a production. Back then, the color timer worked to the instructions of the cinematographer, looking essentially to achieve consistency: dramatic color shifts using irreversible wet chemistry were rarely undertaken. But while the director and cinematographer may be household names, the colorist may still go unheralded outside a small community. To correct this neglect of a vital talent in the overall creative team, last year we created the FilmLight Color Awards.
Today’s movie theatre operators are facing a dilemma: While they’ve made investments and improvements that were supposed to keep their theatres full, too many seats remain empty, and they don’t have endless resources to keep throwing at improving their experience. What’s the solution? In my opinion, operators don’t need to do things better. They need to do things differently. I firmly believe the movie theatre of the future will offer hyper-focused content and be experiential.
In Warner Bros. Pictures’ Fantastic Beasts: The Secrets of Dumbledore, the latest feature film installment in the wizarding world created by J.K. Rowling, professor Albus Dumbledore knows the powerful Dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander to lead an intrepid team of wizards, witches and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines? To bring this epic tale to life, the filmmakers brought in award-winning visual effects studio, Digital Domain.
Cineplanet has opened its newest cinema in the Mall Aventura in Chiclayo, Peru. For the eight-screen cineplex, Bardan supervised the installation of Barco DP2K-10SLP and DP2K-15CLP laser projectors, Dolby IMS3000 servers, 3D DepthQ and Severtson Screens.
The Last Waltz (1978), Singin’ in the Rain (1952) and several other classics represented by Park Circus will feature as part of the Cinéma de la plage program, a series of free screenings at the Cannes Film Festival, taking place each evening in an open-air theatre on the Macé beach. The festival runs May 17-28.
The Marvel sequel Doctor Strange and the Multiverse of Madness delivered a colossal $449.8 million global opening, according to the latest report from the London-based analytics firm Gower Street. The launch was the second biggest of the pandemic-era behind only Spider-Man: No Way Home, which also featured the character of Doctor Strange (as played by Benedict Cumberbatch). The new hit reportedly tracked just 17 percent behind No Way Home in like-for-like markets. Multiverse of Madness did not release in Russia, due to the ongoing studio boycott of the market following the invasion of Ukraine, and Saudi Arabia, where it was banned.
The Post New York Alliance has added three new members to its association: Cadence Effects, Running Man, and Shishkin Productions. The PNYA continues to grow as New York’s post-production industry expands and more companies and individual professionals seek to support its mission of advocating for the state’s media tax credit program and other issues of common interest.
HBO Max’s new series Tokyo Vice, a co-production with Endeavor Content and WoWow, is a gripping crime drama loosely inspired by Jake Adelstein’s bestseller about his real-life experiences as an American journalist working for a major Japanese newspaper in the late ‘90s. The show’s eight-episode first season follows Adelstein (Ansel Elgort) as he pursues members of the Yakuza crime family while navigating the vagaries of Japanese culture and bonding with veteran detective, Hiroto Katagiri (Ken Watanabe).