The Dhanya Theatre, from the Dhanya & Remya theatre complex located in the town of Kollam and owned by the Muthoottu Mini Theatres group, has opened the company’s first Barco Auro 11.1-equipped facility
Pechanga Resort & Casino’s in-house production team has created several award-winning videos about the round-the-clock entertainment experience that is the seventh largest venue of its kind in the world.
Screenvision has announced that it will distribute content for Digital Cinema Destinations (Digiplex). The first joint theatrical title will be the documentary The United States of Football, which will debut August 23.
Kamerawerk is producing Bubble Beatz's No Sleep, a story-driven music video using not only 4K acquisition but a complete 4K 60 frame per second production pipeline including cameras, editing, color grading and finishing.
Fujinon’s PL 85-300mm (model ZK3.5x85) Cabrio lens has received a 2013 Cine Gear Expo Technical Award.
Hybride, a division of Ubisoft, in collaboration with Industrial Light & Magic, recently completed VFX work on 318 shots for acclaimed filmmaker Guillermo del Toro’s long-awaited and highly anticipated new film, Pacific Rim.
Lava Land, shot on location on Hawaii's Big Island in stereo 3D follows the exploits of brave scientists and hardy residents, from rainforests to barren rock, where lava flows from boiling vents.
Cinemark has selected Barco to deploy its immersive cinema sound solution, Auro 11.1, in more than 150 premium Extreme Digital (XD) digital cinema screens worldwide. Cinemark will begin the worldwide deployment this year in all of its “tier one” markets, starting with North America.
The Room, a boutique finishing facility located within Technicolor – PostWorks, New York, recently wrapped post-production on We Steal Secrets: The History of WikiLeaks and History of the Eagles, two new documentaries from producer/director Alex Gibney.
Rising Sun Pictures created more than 260 visual effects shots for The Wolverine, the new action film from director James Mangold and Twentieth Century Fox. RSP helped to recreate the World War II atomic bomb attack on Nagasaki, Japan. It also produced digital environments for a number of sequences, including a scene set in a snow-covered Japanese village, and combat effects such as digital copies of Wolverine’s iconic claws for use in numerous scenes involving challenging stunts.
