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With all the attention focused on a film’s visuals, its audio sometimes receives insufficient attention. The best cinematography and visual finish can be ruined by inadequate audio post-production, an outcome that separates the amateur from the professional filmmaker.

The 101st running of the Tour de France covers a total distance of 3,664 kilometers through 21 stages. For the riders, the physical and mental challenges are hard to imagine. For Euro Media Group, the firm responsible for the overall wireless coverage, production challenges are also incredible.

Christie has donated projection technology and installation services to the Museum of Photographic Arts in San Diego.

Equatorial heat and humidity, sporadic electrical service, and a modest budget were just a few of the challenges that director Josef Wladyka and writer/DP Alan Blanco faced while filming their feature Manos Sucias (Dirty Hands) among the impoverished fishing villages of Colombia’s Pacific coast. Filmed completely on location, Manos Sucias is a drama depicting the perils of two fishermen coerced into towing an underwater narco-torpedo up the Pacific coast of Colombia. They also filmed in the jungle and aboard small boats in rough seas, all while needing to keep a low profile in a dangerous region