The trade organization Cinema Technology Community has released a comprehensive guide to drive-in movie screenings. The guide is in direct response to resurgence in drive-in screenings around the world as the cinema industry seeks to provide the big screen experience to movie-goers while adhering to government guidelines which have forced the closure of cinemas globally and the requirement for social distancing.
When it became obvious that the COVID-19 outbreak was going to have a dramatic and negative impact on the motion picture business, Fathom CEO Ray Nutt issued a memo to encourage his employees not to give in to fear. Here is his message:
ABR Cinemas is a multiplex located in historic Gudivada, India and is one of Andhra Pradesh’s premier cinemas. To create a more immersive experience with even, balanced sound coverage, the exhibitor recently decided to upgrade its aging audio systems. The company hired sound integrators Digital Sound System to install three Harman Professional Solutions cinema audio systems featuring JBL loudspeakers, Crown amplifiers and state-of-the-art Dolby Atmos processors.
Screenvision Media today announced the addition of The Lot to the company's dynamically growing theatre portfolio, along with new deals for Studio Movie Grill and Reading International. Concluding a milestone year of double-digit growth, Screenvision Media signed 19 exhibitor partnership deals in 2019, increasing the company's total screen count to more than 15,000 nationwide with eight of the top ten exhibitors in the country.
This is not an article I ever wanted to write. As virtually the entire world copes with the COVID-19 pandemic, businesses everywhere have tried to find ways to survive. This is particularly true of the cinema business where nearly every movie theatre has been closed – properly, for the sake of public health – by government mandate. Hardest hit have been small, independent theatres and art house cinemas. Now I have to share the news that among them, the Bethel Cinema, my local movie theatre, is shutting its doors for good.
Top executives at the Sundance Institute have issued a statement announcing a one million dollar fund for filmmakers as well as other initiatives to support film artists during and after the pandemic.
Lionsgate, in conjunction with Fandango, YouTube and the National Association of Theatre Owners, is launching Lionsgate Live! A Night at the Movies, a four-consecutive Friday night live-stream of movies which kicks off tonight with The Hunger Games on the distributor’s YouTube page and Fandango’s Movieclips YouTube page.
Sometimes the story of how a film was made is almost as compelling as the story the film itself tells. That was certainly the case with There is No Evil, this year’s Golden Bear winner at the 70th annual Berlinale, the 2020 Berlin Film Festival. The film, from Iranian director Mohammed Rasoulof, faced serious and unique challenges getting onto the big screen at a film festival. First, there was the fact that Rasoulof is unable to leave Iran.
Short-form streaming-video platform Quibi provides premium content specifically designed for consumption on a mobile device. This presented the production of its first scripted show, Dummy, with a unique set of creative and workflow issues. In addition to the standard 16:9 aspect ratio, director of photography Catherine Goldschmidt had to create visuals for a vertically oriented 9:16 presentation.
Yvan Lucas is a veteran digital intermediate colorist with a unique international story. His career spans over 30 years, has involved working in 10 different labs, and has included creative collaborations with a long list of iconic cinematographers such as Robert Richardson, Darius Khondji and Rodrigo Prieto. Lucas credits the work he did with Khondji and director Jean-Pierre Jeunet – especially on the films Delicatessen and The City of Lost Children – for launching his international career and leading him to Los Angeles.