Featured Stories

Birth of a Stewdio

Mon, 07/27/2015 - 11:00 -- Nick Dager

Blaine Stewart first started in the industry on audio crew and as mixer’s assistant for The Donnie & Marie Show at the Osmond family’s studio in Orem, Utah, in 1978. By 1986, he was back in his native L.A. working at different audio post facilities as well as mixing production for shows such as Circus of the Stars and Alf. In 2000, he opened his own post-production facility, Post Plus Sound, in Burbank, and in 2010 he moved PPS to the Salt Lake City area and renamed it The Stewdio.

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About the Cloud: Chris Chen, CTO Prime Focus Technologies

Thu, 07/23/2015 - 12:40 -- Nick Dager

Cloud technology offers many benefits over traditional options and media and entertainment companies are increasingly embracing it. For this, the second article in an ongoing series of articles about the cloud, I interviewed Chris Chen, chief technology officer for Prime Focus Technologies to get his thoughts about the benefits and concerns involved with cloud technology.

Five Studios to Release Films in Dolby Cinema

Wed, 07/22/2015 - 12:53 -- Nick Dager

In the coming months five studios will release major feature films in Dolby Cinema, Dolby announced today. They include Sony Pictures’ Pixels, in theatres July 24; Paramount Pictures’ Mission: Impossible—Rogue Nation, in theatres July 31; Universal Pictures’ Everest, in theatres this September, and Lionsgate Entertainment’s The Hunger Games: Mockingjay—Part 2, in theatres this November. They join titles soon to be announced by Twentieth Century Fox.

Finding Inspiration in Yesterday for Tomorrowland

Tue, 07/21/2015 - 15:23 -- Nick Dager

yU+co’s main-on-end title sequence for the Walt Disney Pictures movie Tomorrowland presents a series of mesmerizing portraits of the future as imagined by visionaries of the past. The 3D animated sequence, which delivers the movie’s end credits, takes audiences on a breathtaking tour through a vast metropolis whose various iterations show the “world of tomorrow” as envisioned by successive generations of “dreamers.”

Crooked Letter Films Captures Promo for Brooklyn Bicycle

Tue, 07/21/2015 - 15:13 -- Nick Dager

In a world where storytelling reigns, Crooked Letter Films' visual narratives have made lasting impressions for brands like Columbia Records, Refinery 29 and H&M. Based in New York, the one-stop shop conceptualizes, executes and delivers compelling digital stories for a range of clients, guiding each project from beginning to end.

Philips Lights up the Rolling Stones

Mon, 07/20/2015 - 10:19 -- Nick Dager

The world premiere of Sweet Summer Sun – Hyde Park Live, an iconic live concert film by The Rolling Stones, was screened on July 15 at Odeon & UCI Cinemas Group’s Kinowelt Ruhr Park cinema in Bochum, Germany. Philips LightVibes created an immersive experience for the audience by adding subtle, meaningful lighting effects during the film to enhance the concer

Sex&Drugs&Rock&Roll Posted at Technicolor PostWorks

Wed, 07/15/2015 - 12:30 -- Nick Dager

Technicolor PostWorks New York recently completed editorial finishing and color grading for the first season of the new FX comedy Sex&Drugs&Rock&Roll. Slated to premiere July 16th, the show stars Denis Leary (who also wrote and directed) as Johnny Rock, an aging singer trying to reform his old band and make good on the unfulfilled dreams of his youth.

About the Cloud: Rich Phillips, CTO, Arts Alliance Media

Tue, 07/14/2015 - 12:46 -- Nick Dager

Rich Phillips is chief technology officer for Arts Alliance Media, one of the pioneers of digital cinema. In this, the first article in an ongoing series of articles about the cloud, Phillips and I talk about how the evolving technology is changing the cinema business including distribution and exhibition.

32Ten Studios’ Practical Magic for Jurassic World

Tue, 07/14/2015 - 12:16 -- Nick Dager

Universal Pictures’ record-breaking blockbuster Jurassic World features a number of practical shots that were designed, built, and filmed at 32Ten Studios in San Rafael, California. The most prominent were the gates that welcomed visitors to the prehistoric theme park Jurassic World. Those gates, which needed to appear massive on screen, were actually 19-foot set pieces built at 32Ten under the supervision of model maker Mark Anderson.

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