The Walt Disney Studios epic live-action film Mulan will be releasing worldwide in the immersive 4DX and ScreenX formats, starting March 25 in certain markets, totaling 734 4DX screens and 314 ScreenX screens worldwide.
Jimmy Carter: Rock & Roll President, the new feature documentary from Grammy Award-winning director Mary Wharton, producer Chris Farrell and writer Bill Flanagan, will make its world premiere April 15 as it opens the 19th Tribeca Film Festival in New York. The rockumentary-flavored film, which went through post-production finishing at Sim Post New York, centers on the 39th president’s life-long passion for music and rock’s contribution to his unlikely journey from a peanut farm in Georgia to the White House.
Hoyts Entertainment Quarter in Moore Park, Sydney, has installed the first Samsung Onyz Cinema LED Screen in Australia. The new installment features a 14-meter screen. Another 10-meter Onyx screen will also be installed at Hoyts Highpoint in Melbourne, Australia next month.
Post-production finishing for the first season of El Club, Netflix’s new young adult dramedy, was recently completed at Cinematic Media in Mexico City. The country’s only full-service facility focused exclusively on cinema and television post, the company handled both sound and picture finishing for the series, now available through the streaming service in Mexico and other Spanish-speaking markets.
Two Dum Micks, an offbeat comedic short film, written, directed, and produced by D.B. Sweeney and edited by Keith Kristinat at The Colonie in Chicago, has won more than two-dozen first-place film festival awards to date. It tells the story of Mikey and Mick, played by Sean Astin and Sweeney, as two down-and-out guys who come up with an implausible jailhouse scheme to get the money they need to solve their legal problems.
Mark Louis is Alamo Drafthouse Cinemas director of presentation. In that role, he is responsible for maintaining the level of technology that has become central to the exhibitor’s brand and identity. Louis is currently overseeing the opening of seven new Alamo theatres across the United States, while simultaneously maintaining the quality control of the established sites. When I contacted him to talk about how he approaches new builds he described himself as “busier that a one-armed reel-to-reel projectionist,” but he agreed to talk via email. Here’s an excerpted version of our conversation.
CAN Film is a boutique post-production and film company based in the heart of Gothenburg, Sweden. Clas Hakeröd and Nikolai Waldman, two highly experienced and trusted names within the industry, started the company in 2015. For the past 20 years they have been producing and post-producing commercials, features, corporate films, documentaries and TV series, like The girl who played with fire, Olympic Games, Saltön, Ettor & nollor, Americas Cup, Uppdrag Granskning, Volvo, IKEA and many more. Recently, Waldman branched out to start the company DejaSoft and develop the editing software tool DejaEdit. Digital Cinema Report spoke with him about how DejaEdit came to be.
The Netflix series GLOW, which launched its 10-episode third season in August 2019, brings the Gorgeous Ladies of Wrestling to Las Vegas and the fictitious Fan-Tan Hotel and Casino. The production captures the personal and professional lives of a group of women who perform for a wrestling organization that started in Los Angeles but now find themselves in glitzy Las Vegas during the 1980s. Cinematographer Chris Teague met with show creators, executive producers and episode writers Liz Flahive and Carly Mensch to pitch his ideas for the new look of GLOW for its new Las Vegas setting, which is where they realized that everyone was on the same page.
CineLife Entertainment and CinemaLive are bringing a new production of Giuseppe Verdi's opera Rigoletto, captured live at the 74th Bregenz Festival, to U.S. cinemas February 10-16. One of Verdi's most popular works, Rigoletto is a story of sacrifice and revenge, of a father's rage and a daughter's shame.
Seventeen years after Bad Boys ll, the Bad Boys Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) teamed up again for one last ride in Sony Pictures’ worldwide box office hit, Bad Boys for Life. Car chases, gun battles, explosions and other forms of mayhem—all requiring robust sound treatment—occur throughout the film, but the story is driven by the hilarious bad-boy banter between Mike and Marcus. Capitalizing on every twist and turn of the action sequences while allowing the humor to punch through was a challenge for the sound artists.