Featured Stories

Created by Alex Gregory and Peter Huyck and directed by David Mandel, the five-part miniseries White House Plumbers shines a fresh light on the real-life comedy of errors that burst out of the infamous Watergate scandal. Light Iron provided dailies and final color for the project, which reteamed cinematographer Steven Meizler and supervising colorist Ian Vertovec.

Written and directed by award-winning virtual reality filmmaker Ethan Shaftel and co-produced by easyAction, Veer, and Detona Cultura, the animated virtual reality short film Ajax All Powerful removes the barrier of the fourth wall to provide viewers with a uniquely immersive perspective in which they experience the events and emotions more acutely through the viewpoint of a protagonist.

Lawrence Sher, ASC, is an American cinematographer and film director best known for his work on Joker (2019), Godzilla: King of the Monsters (2019), War Dogs (2016), The Hangover (2009) and Garden State (2004). He has just completed filming Joker: Folie a deux – the follow up to the 2019 film which comes out in 2024. Last month he was appointed as the president of the 2023 FilmLight Color Awards jury. The winners of the award will be announced in November at EnergaCamerImage. Sher recently spoke with Digital Cinema Report via email about cinematography, about the role of color in the filmmaking process and about the color awards themselves. Here is that conversation.

Ever since the first trailer for Barbie dropped, anticipation for Greta Gerwig’s new movie starring Margot Robbie as the infamous Barbie has continued to grow. This is in part thanks to the creative and marketing team behind Barbie, as the Barbiecore aesthetic seems to be taking over the world and there’s pink everywhere. But in addition to all the pink and glamor of Barbie, another highly anticipated movie is coming to theaters the same weekend. Christopher Nolan’s latest movie, Oppenheimer, starring Cillian Murphy as J. Robert Oppenheimer is ready to make an impact.