Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation.
Killer Tracks is introducing two new labels to the U.S. production market featuring what the company says is the work of some of the best up-and-coming music talent from the UK and beyond.
Manhattan Production Music, New York City, has established its first-ever Los Angeles office. Concurrently, the company has named Andrew Robbins as its new senior director of film/TV music.
Timothy Williams, a composer for Nashville-based Howling Music, orchestrated and conducted composer Tyler Bates’ score for the box office smash Guardians of the Galaxy.
Howling Music, a Nashville-based provider of original music for advertising, has opened an office in London in collaboration with Grammy-winning music producer, engineer and composer David Hentschel, known for his work with such artists as Elton John, Genesis and The Yellowjackets.