A new version of Cospective’s video review tool Frankie is now available. Frankie 2.1 offers new features, including zooming and panning, custom branding in the review interface, while also doubling storage to 20 GB.
Production & Post-Production
Technicolor-PostWorks New York provided post-production services for three films screening this month at Camerimage, the world’s leading international film festival celebrating cinematographers and the craft of cinematography.
As motion picture, television and commercial production continues to transition to ever-higher resolution digital video, Canon has introduced the DP-V3010 4K Reference Display.
Aciem Studios recently completed the post-production, mixing, and finishing for the documentary feature film Joachim Prinz: I Shall Not Be Silent, which had its US premiere at the New Jersey Performing Arts Center earlier this month as part of a special event produced by the New Jersey Jewish Film Festival.
The American Film Institute has announced the AFI/IDG China Story Fellowship, a new scholarship program at the AFI Conservatory aimed at developing feature-length screenplays that foster greater understanding of Chinese history, culture and literature.
For more than two years, Bertie Gregory, a nineteen-year-old wildlife videographer from England, shot the fauna on Vancouver Island, Canada.
One of DP/colorist Gavin Fisher’s on-going assignments is a series of commercials for Adult Swim Network.
Light Iron provided on-set color, color workflow, and final color for the weekend box office hit Ender’s Game. The company has released an in-depth video on its Ender’s Game workflow, highlighting the collaboration and innovation that fueled this multiyear project.
For writer/producer/director Robert Palmer, the idea behind I Am Alone, starring Gareth David Lloyd, began as a simple horror film video diary, but as the story developed, Palmer and partner Michael A. Weiss realized that the concept behind this project would allow them to push the boundaries of both reality TV and horror films.
Australia’s largest independent post house Soundfirm, will be the first facility in the country to be fully equipped to meet the post-production needs for Dolby Atmos cinema sound.