Bill Beck Named New Chairman of LIPA
Laser Light Engines founder and executive vice president, Bill Beck, has been elected chairman of the Laser Illuminated Projector Association.
Laser Light Engines founder and executive vice president, Bill Beck, has been elected chairman of the Laser Illuminated Projector Association.
Dolby Laboratories and Regal Entertainment Group announced today that Regal recently installed Dolby Atmos in 20 of its big-screen RPX: Regal Premium Experience theatres. The systems were installed in time for the premiere of Warner Bros. Man of Steel.
Cinedigm has announced a partnership with Slamdance that will bring a slate of feature programming to digital platforms.
The Camera Store supplied five Skquattro pedestals and additional support equipment for a live stereoscopic broadcast of Tchaikovsky's Swan Lake from St Petersburg. Starring Yekaterina Kondaurova, the Swan Lake 3D Live Special Event was relayed on June 6 from the Mariinsky Theatre to cinema audiences in more than 50 countries around the world.
Opening June 28, DDA cinematographer Rachel Morrion’s next feature Some Girl(s) is filled with her sensitive portraiture of poignant stories. Some Girl(s) will be the first narrative feature to be released exclusively through new online video portal Vimeo On Demand.
The Euromed Audiovisual III program of the European Union and the European Audiovisual Observatory are publishing a report on film and audiovisual industry in Lebanon.
International Datacasting has sold its SuperFlex Pro Cinema receivers to CinecolorSAT – the leading digital cinema content distribution network in Latin America—part of Grupo Chilefims.
Cine Colombia, Colombia's leading exhibitor is continuing its digital cinema rollout with the addition of 124 Doremi ShowVaults and Integrated Media Blocks (IMBs).
Doremi was once again technical partner of the Cannes Film Festival, marking its eleventh successive year of involvement for the world-famous event. The company supplied digital cinema servers throughout the Festival.
With the digital cinema standard of 24-bit, up-to-16-channels of PCM non-compressed audio, now becoming reality, new challenges have arrived for existing equipment. Upgrading with just higher powered versions of existing solutions is just not enough to benefit from the new audio standard; speech, music and effect should be reproduced with non-compressed non-colored detail, with lowest distortion and fullest digital dynamics. Alcons has introduced the CR3 screen system to address the problem.