Digital Cinema Destinations has entered into definitive agreements with certain institutional investors to sell an aggregate of 1,141,000 shares of its Class A Common Stock in a registered direct offering for gross proceeds of approximately $5.7 million, before deducting placement fees and offering expenses.
The Yash Raj Films action thriller Dhoom: 3 will be released in Dolby’s digital cinema sound technology Atmos when it opens in theatres December 20th.
The Walt Disney Studios has entered into an agreement with Christie to provide the latest digital cinema technologies and a variety of professional services for The Walt Disney Studios’ production, post-production, screening rooms and premieres.
Cobb Theatres’ quest to roll-out immersive digital cinema sound in its premium auditoriums has moved forward with the deployments of Barco Auro 11.1 audio in its Lakeland, Florida and Leesburg, Virginia sites.
Warner Bros. Pictures’ Gravity will have its New York premiere in Dolby Atmos at the AMC Lincoln Square on Tuesday, October 1.
The Cinema Advertising Council has announced a new slate of officers and committee chairs and named Screenvision’s Katy Loria president and chairman. Effective October 1, the term runs through September 30, 2014.
Four more drive-in theatres have received Christie digital cinema projectors as part of Honda’s ongoing program to help them make the transition from film to digital.
On October 3 Rising Alternative will present The San Francisco Opera’s performance of Mefistofele.
Cinedigm has acquired all North American rights to Night Moves, directed by acclaimed American independent filmmaker Kelly Reichardt.
The goal of this article is to educate the industry about challenges that immersive sound presents and to present my arguments as to why the National Association of Theatre Owners’ and Digital Cinema Initiative’s rushed actions have the potential to harm, rather than help, the first release motion picture industry
