Dolby Laboratories today introduced the Dolby Integrated Media Server IMS3000, which combines Dolby audio and image processing in one unit. According to the company, when coupled with the Dolby Multichannel Amplifier and SLS Express Series, it offers a complete, integrated solution from 5.1 to Dolby Atmos. In advance of CinemaCon 2017, I spoke with Michael Archer, Dolby’s vice president of worldwide cinema sales, to get a closer look.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: Unique Digital.
Dolby Laboratories today announced a full spectrum of integrated solutions that will save exhibitors of all sizes both time and money while delivering audiences an experience they can trust from Dolby. The new Dolby Integrated Media Server IMS3000 combines Dolby audio and image processing in one unit. When coupled with the Dolby Multichannel Amplifier and SLS Express Series, they offer a complete, integrated solution from 5.1 to Dolby Atmos.
CinemaNext has announced that it has equipped 25 screens in 13 cinemas across Germany with EclairColor technology. In conjunction with these installations, Ymagis Group’s content services arm, Eclair, has overseen the EclairColor mastering of the film The Lost City of Z, which opens in cinemas in Germany March 30. The film from critically acclaimed director James Gray is distributed by StudioCanal in both Germany and France.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: GDC.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: Dolby.
CinemaNext today announced the launch of Sphera, its new premium format cinema concept, designed to deliver a superior movie going experience and content flexibility for cinema operators and theatre owners. CinemaNext will introduce Sphera next week during CinemaCon 2017 at Caesars Palace in Las Vegas.
National CineMedia has strengthened its network with the addition of five new affiliate partners, adding 71 new theaters, 533 screens and approximately 20 million attendees to its national theater network, enabling it to better compete in the broader premium video marketplace. The newest theatres in the NCM network include: Bow Tie Cinemas, Cinergy Entertainment Group, Main Street Theatres, Megaplex Theatres, and MJR Digital Cinemas.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. First up: Arts Alliance Media.
Sony Digital Cinema 4K will unveil its prototype 4K RGB laser projection system next week during CinemaCon 2017 at Caesars Palace in Las Vegas. Demonstrations will be held hourly in Pompeain Ballroom 1 on the Promenade Level.
