Along with being one of the most hotly anticipated movies of 2016, The Revenant is also highly likely to carry away a clutch of major prizes during awards season. In addition to key nominations for best film and best acting in a motion picture, the movie has also secured nominations for best cinematography. Little wonder. The work of Mexican DP Emmanuel “Chivo” Lubezki AMC ASC – working in horrendous cold and using only natural light – has been lauded by the critics as the “consummate cinematic experience.”
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The 2011 Rise of the Planet of the Apes unleashed a cross-species thriller and, on July 11, the sequel, Dawn of the Planet of the Apes, directed by Matt Reeves and shot by cinematographer Michael Seresin will debut in U.S. theatres. Although most 3D movies currently are shot in 2D and converted to 3D in post-production, this movie was shot in native 3D. Seresin, who also shot a significant portion of Gravity, faced his first experience shooting native 3D. Although he doesn’t consider himself a “technical cinematographer,” Seresin felt confident. “Lighting, composition, and camera moves is what I like,” he says.