Jay Hunter is a celebrated director and cinematographer whose work runs the gamut from features and scripted series to documentaries and reality TV. He’s crafted unique aesthetics for television shows such as On the Lot and films including Joss Whedon’s Much Ado About Nothing. Hunter’s current project is the NBC comedy Superstore, about the employees of a big box retailer. For that series, he tries to make viewers feel like they’re part of the action through a visual style that looks handheld, but is not.
Arri has announced its range of Pro Camera Accessories for the Canon EOS C700, equipping the camera with professional on-set functionality and rugged durability. The new accessory sets have been endorsed by Canon and will feature in the company’s upcoming official camera presentations.
Ben Davis, BSC has become an old hand in the Marvel universe. Doctor Strange marks his third Marvel film as director of photography. He also shot the global hits Avengers: Age of Ultron and Guardians of the Galaxy. “Marvel very much is a universe with its own language, but the three films I've done have been vastly different.”
Transvideo has received this year’s Cinec Award for its Starlite HD5-Arri monitor-recorder in the category of Camera Technology/New Digital Capturing Tools. The Cinec Award is a unique prize for outstanding achievements and innovations in the fields of motion-picture technology and post-production.
Cinematographer Gareth Paul Cox recently shot up-and-coming director Aundré Johnson’s tentatively titled project, The Driver, an ambitious 15-minute short that takes place mostly inside a car. It tells the story of a limo car service driver, who ventures off the beaten path to start his own car service using borrowed money from individuals with possible mob ties. For Cox, there were several big challenges for the low budget short, including driving and shooting on L.A. streets without a process trailer, or any serious rigging.
The Hollywood Section of the Society of Motion Picture and Television Engineers has announced that the increasingly popular practice of phoneography – the use of smartphones as image-capture devices in film and television productions – will be the topic of its September meeting.
Codex has developed a fully integrated recording and workflow system for Canon’s new Cinema EOS C700 camera. The combination of Codex with the EOS C700 camera allows for high-speed 4.5K Raw recording at up to 100fps, 4K Raw at up to 120fps, 4K Apple ProRes at up to 60fps, 2K Apple ProRes at up to 240fps.
Panasonic has added five camera kit packages for the VariCam LT Super 35mm Cinema Camera with the addition of the ProEX-B512 package.
SmallHD has released the first firmware update for its line of 17-inch, 24-inch and 32-inch production monitors. “Based on industry and customer feedback, we created the greatly expanded firmware 1.0,” said company co-founder Wes Phillips. “We’ve integrated a ton of features to customize color and brightness. We believe we have truly unlocked the power of HDR Preview. Our customers will love the convenience and flexibility the new firmware adds.”
“When Woody Allen asked me to do Café Society, he had never done a digital capture before, but I knew that I had to jump completely into this new chance we had,” said Vittorio Storaro. “I wanted to see images on set that would be very close to the final result and afterwards on dailies even closer, almost 90 percent of that way to what we would see at the end.”