Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.
When Two Worlds Collide, winner of the World Cinema documentary prize for Best First Feature at this year’s Sundance Film Festival, focuses on the alarming and sad conflict between indigenous people of the Peruvian rainforest and corporations bent on exploiting the region through mining, drilling and clear cutting.
Alchemy Post Sound provided Foley services for The Bandit, director Jesse Moss’ exhilarating documentary about Burt Reynolds, the late director and stuntman Hal Needham and the making of the iconic 1977 action-comedy Smokey and the Bandit. Working under the direction of supervising sound editor/re-recording mixer Tom Paul, Foley artist Leslie Bloome and his crew recreated the sounds of brawling stuntmen, a rocket-propelled car and 100-foot body falls to accompany the film’s mind-blowing stunts and action scenes.
Sound artists from Sony Pictures Entertainment are among the nominees for 2016 Motion Picture Sound Editor Golden Reel Awards and the 52nd Cinema Audio Society Awards. Sony Pictures talent are nominated in six categories of the MPSE Golden Reel Awards for work on the films Southpaw and Hotel Transylvania 2, and the television series Homeland, Saints and Strangers and True Detective. Sony Pictures talent also received eight nominations for CAS Awards for work on the film The Hateful Eight and Hotel Transylvania 2, and the television series True Detective and Silicon Valley.
K-Tek has extended its smart line of Stingray Audio bags, with the first made specifically for the Tascam DR-70D and DR-701D. The new KSTG70 incorporates Stingray’s hallmark big-bag features into a small, yet sturdy form factor to enhance the versatility and applications of Tascam’s compact package. The Stingray KSTG70 is ideal for audio and video professionals, documentarians, serious enthusiasts and musicians.
Roland has introduced the WearPro Mic, a wearable device that provides high-quality audio capture for the Hero3, Hero3+, and Hero4 video cameras from GoPro. Specially designed for the popular camera series, the WearPro Mic supports both binaural and standard stereo recording, and plugs directly into the Hero with no conversion cables needed. GoPro users can easily record immersive first-person soundtracks that put viewers right in the middle of the action.
Sony Pictures Animation’s monster hit Hotel Transylvania 2, currently topping charts and setting records at the worldwide box office, marks the return of the Drac Pack in an all-new comedy adventure. Like its hit 2012 predecessor, the new film is directed by Genndy Tartakovsky and features the voice talents of Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, and many others. Also back for the sequel are supervising sound editor Geoffrey G. Rubay and his sound team from Sony Pictures Post Production Services.
On September 26, Sony Pictures Post Production Services will welcome leading innovators from across the world of motion picture sound as host of the Second Annual Mix Presents Sound for Film Conference and Exhibition. The theme for this year’s event, co-sponsored by the Motion Picture Sound Editors and the Cinema Audio Society, will be Music, Effects and Dialog in an Immersive World. It will explore the current boom in immersive sound technologies through speakers, panels, workshops and exhibits. Participants will include DTS, Dolby, Yamaha, Auro Technologies and other sound companies.
One of Hollywood’s most gifted action directors, Antoine Fuqua explores the rarified violence of the boxing ring in his latest film Southpaw, released this month by The Weinstein Company. The director’s visceral boxing imagery is supported by a meticulously crafted soundtrack, created by a team from Sony Pictures Post Production Services led by supervising sound editor Mandell Winter, sound designer David Esparza and re-recording mixers Steve Pederson and Daniel J. Leahy.
Editor’s Note: Writer Timo Klinge recently sat down with Ben Osmo, production sound mixer and Oliver Machin, sound department coordinator & vehicle FX recordist about their experiences in the desert of Nambia, Africa during the recent production Mad Max: Fury Road. This article was provided by Ambient Recording and is reprinted here with the company’s permission.