With all the attention focused on a film’s visuals, its audio sometimes receives insufficient attention. The best cinematography and visual finish can be ruined by inadequate audio post-production, an outcome that separates the amateur from the professional filmmaker.
Kundo: Age of the Rampant will be mixed and released in the Dolby Atmos cinema sound format. Filmmakers use Dolby Atmos to place and move sounds anywhere in the movie theatre, including overhead, to make film audiences feel as if they are inside the movie and not merely watching it.
As an expedition-style-documentary sound mixer, David Ruddick has worked in some of Earth’s most extreme environments. From scorching heat to blistering cold, Ruddick knows the importance of having reliable gear on location.
The West End triple Olivier Award winning production of Ghosts – the third title in the West End Theatre Series – was shot in high definition by Digital Theatre and will be distributed in UK theatres on June 26. Distributed by CinemaLive, Ghosts will be the first live event cinema production captured in the Dolby Atmos sound format. This working collaboration will not only enhance the already powerful storytelling on stage and screen, but raises the bar for event cinema.
Veteran sound mixer Danny Michael, whose recent portfolio includes three feature films The Secret Life of Walter Mitty with Ben Stiller, Non-Stop, with Liam Neeson, and the upcoming John Wick, starring Keanu Reeves. He understands the importance of capturing pristine audio in the field.
The documentary Fool Cool Rock from director: Hiroyuki Nakano will be mixed and released in Auro 11.1 this month. “I’m so proud that Auro 11.1 by Barco was selected as the preferred sound format for this movie. One OK Rock’s devoted fans will be delighted when they hear this band perform like never before,” said Brian Claypool, senior director of strategic business development at Barco.
Columbia Pictures’ The Amazing Spider Man 2 marks a groundbreaking collaboration between visual effects, sound and post-production teams from Sony Pictures Entertainment. The Academy Award-winning Sony Pictures Imageworks crafted over 1000 visual effects shots, Sony Pictures Post Production provided sound – its first project in in Dolby Atmos – and Colorworks performed film scanning, conforming and color grading all in 4K.
LipSync Post has appointed leading re-recording mixer Sven Taits to join its BAFTA craft award-winning sound team, starting May 12.
LipSync Post has won a BAFTA Craft award for Sound-Fiction. The audio team won the award for its work on Steven Poliakoff’s BBC drama Dancing on the Edge. The ceremony took place at The Brewery, East London on April 27.
Wir waren Könige is the first German movie mixed in Barco’s Auro 11.1 immersive cinema sound format. An independent feature film production co-produced by ZDF and ARTE, Wir waren Könige will be released in Germany this summer.