Lighting

Arri Rental to Open Facility in Long Island City, New York

Mon, 08/16/2021 - 10:36 -- Nick Dager

Arri Rental North America, a leading camera, lens, and grip equipment rental service company, announces plans to open a new headquarters in Long Island City, New York, during the first quarter of 2022. The facility will offer comprehensive equipment and exceptional services, enabling Arri Rental to provide an even higher caliber of service and support to its customers. The new location will also serve as a creative hub for production communities in New York and the greater Northeastern region

Vitec Group Acquires Quasar Science

Tue, 04/13/2021 - 08:54 -- Nick Dager

The Vitec Group has acquired Quasar Science, a leading LED lighting technology provider. The business will become part of the Group’s Production Solutions Division alongside Litepanels the award-winning supplier of LED lighting panels for television lighting and cinematography acquired by the Group in 2008.

Finding Your Bliss

Mon, 04/05/2021 - 08:43 -- Nick Dager

Markus Förderer, ASC, BVK doesn’t take chances on set. He considers shooting days precious, so he rigorously tests new gear, new moves and new ideas long before he gets to set. “Shooting days are there to shoot” he says, “not to set up and light,” so he comes to the set prepared. The highly visually driven film, Bliss was no exception. A science fiction drama, it stars Owen Wilson as Greg and Salma Hayek as Isabel. The story is set around a man whose life is in disarray when he meets a beautiful woman who tries to convince him he is living in a simulation.

Windows to the Past, Present, Future

Thu, 02/04/2021 - 10:08 -- Nick Dager

Claudia Raschke is an award-winning New York City based cinematographer best known for such films as Oscar-nominated and Emmy winning RBG (Magnolia/ Participant/ CNN), Oscar-nominated God is Bigger Than Elvis (HBO), Peabody Award-winning Black Magic (ESPN), Oscar short-listed Mad Hot Ballroom (Paramount), Particle Fever (Bond), Atomic Homefront (HBO), and The Freedom to Marry (Argot Pictures). Her latest film, which screened at this year’s Sundance Film Festival, is My Name is Pauli Murray. Fifteen years before Rosa Parks refused to surrender her bus seat, and a full decade before the U.S. Supreme Court overturned separate-but-equal legislation, Pauli Murray was already knee-deep fighting for social justice. A pioneering attorney, activist and dedicated memoirist, Murray shaped landmark litigation—and consciousness— around race and gender equity. As an African American youth raised in the segregated South—who was also wrestling with broader notions of gender identity—Murray understood, intrinsically, what it was to exist beyond previously accepted categories and cultural norms. The film was made by the same team that made RBG including directors Julie Cohen and Betsy West, producer Talleah Bridges McMahon and editor Cinque Northern. My conversation with Raschke, via email, began with that team.

Veteran Underwater Filmmaker Endorses LitraStudio

Wed, 01/13/2021 - 11:54 -- Nick Dager

Few know underwater cinematography and how to light the great blue sea better than Pete Romano ASC. His unique specialty has made him sought after for most major films where’s there’s any underwater action. His 40-year underwater track record is unmatched. IMDB tries but at 159 credits for film and television they just skim the surface, especially considering the multitude of commercials, music videos and documentaries to count.

Lighting Lush Life

Mon, 06/15/2020 - 09:23 -- Nick Dager

When Timur Civan was called upon to shoot a music video for the title track of Lush Life by the New York City-based band, Orion, he took his cue from the pop rock tune and decided to have fun with it. Dubbed “bouncy music for bouncy people,” its reggae vibe brings to mind lilting palm trees, rainbows, warm sunny colors, and sweet, simpler times. It’s no surprise TikTok fans are having a ball with it.

Shooting Dead to Me Full Frame

Mon, 05/11/2020 - 11:02 -- Nick Dager

Making lead actors and actresses look their very best has been a challenge for cinematographers since the earliest days of film. So it was business as usual when series creator and showrunner Liz Feldman wanted her main actresses to look their best on screen for season two of her hit Netflix show Dead to Me. She brought in cinematographer Toby Oliver, ACS to handle the job.

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