Neuhaeuser Leaving Arri Executive Board
After more than four successful years at Arri executive board member Dr. Michael Neuhaeuser has decided to devote himself to new professional challenges.
Lighting
Barbarian: Tethered to Reality
When cinematographer Zach Kuperstein got the job to shoot writer-director Zach Cregger’s horror feature Barbarian, one of the first things he did was reach out to Light Iron senior colorist Sam Daley. The two had previously worked together on a short and three independent features — The Eyes of My Mother, The Vigil, and Paper Spiders — but their collaborations began during post, not during pre-production.
Filming The Rescue
Jimmy Chin and Elizabeth Chai Vasarhelyi's film, The Rescue tells the story of the 2018 Tham Luang cave rescue in which twelve boys from the Wild Boars Football club and their coach were trapped in a flooded cave complex in Thailand. Documenting the huge risks taken by a team of specialist divers during the rescue, the production combines documentary footage with painstaking dramatic reconstructions shot by top underwater cinematographer Ian Seabrook.
Arri to Receive the Philo T. Farnsworth Corporate Achievement Award
The Television Academy has announced that Arri will receive the Philo T. Farnsworth Corporate Achievement Award for its more than a century of designing and manufacturing camera and lighting systems as well as its development of systemic technological solutions and service networks for a worldwide complex of film, broadcast, and media industries. The 74th Engineering, Science & Technology Emmy Awards ceremony will take place September 28 in Los Angeles.
Creating a Real World for Star Trek
Star Trek: Strange New Worlds is spin-off from Star Trek: Discovery and a prequel to Star Trek: The Original Series, Strange New Worlds follows Captain Christopher Pike and the crew of the USS. Enterprise. Cinematographer Glen Keenan, CSC, wanted to give the show the most organic, non-studio look to convince the audience they were seeing a real location.
Creating the Gilded Age’s Look
Set in in New York City in the 1880s, a period marked by the clash between old traditions and new paradigms, Julian Fellowes’ HBO original series The Gilded Age tells the story of two families from different socioeconomic backgrounds and the relationship between them as they are trying to navigate those times of immense change. The Gilded Age chronicles the wide-eyed young scion of a conservative family who moves to New York City in 1882 and finds herself in the middle of a social war between old money and new money battling to preserve, or ascend, the social hierarchy. The first episode became available for streaming in the U.S. on HBO Max last month. Vanja Cernjul, ASC, HFS was the cinematographer for the series.
Arri Expands Approved Certified Pre-Owned Program
Arri has expanded its Approved Certified Pre-Owned program. Effective immediately, the motion picture equipment manufacturer also offers selected preowned and refurbished lighting fixtures for sale. An Arri spokeswoman said the offer is not yet available in the Americas.
Ben Diaz Joins Arri Lighting as Senior Product Manager
Ben Díaz has joined Arri Lighting in its Stephanskirchen office. Effective this month, he will be senior product manager. The company says Díaz strengthens its focus on the development of high-quality LED lighting fixtures and accessories. Together with Arri Lighting head of product management Florian Bloch, Díaz will play an integral role in the planning, development, introduction, and life cycle management of new lighting products.
Creating a Cinematic Sense of Impending Doom
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – takes place during the winter of 1843, in which a young woman is under investigation following the mysterious death of her Calvinist family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy. Released in the U.S. on January 20 on Shudder, the film stars Rory Culkin, Stefanie Scott, and Isabelle Fuhrman, and is written and directed by Edoardo Vitaletti, making his feature length film debut. David Kruta was the cinematographer.
Shooting Night Scenes on a Tight Budget
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for Natalie Morales' film Plan B. This road movie, now streaming on Hulu, follows a pair of teenaged friends during a day-and-night search for emergency contraception.
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