The Tragedy of Macbeth—written four centuries ago for the stage—has been translated to the screen throughout cinema history. Replete with medieval atmosphere, witches, and murder, the iconic tale has now been retold by director Joel Coen. Working with director of photography Bruno Delbonnel ASC, AFC, Coen developed a visual approach to the bloody proceedings that emphasizes Shakespeare’s matchless language and the faces of the actors delivering it.
Dr. Matthias Erb has been appointed chairman of Arri’s executive board, effective as of January 1. The announcement was made by the supervisory board of the global film technology company. With this addition, the executive board will once again have three members, as it did in 2019.
In the two decades since we first entered The Matrix, there’s been a quantum leap in computing and filmmaking technology. Visionary filmmaker Lana Wachowski made sure she considered both those changes before going back down the rabbit hole. “There have been huge advances in computing that called for an updated visual representation of the virtual world of The Matrix,” explains Daniele Massaccesi, co-cinematographer with John Toll, ASC on The Matrix Resurrections. “Lana wanted to create a synthetic world that would be believable to humans in 2021. It is therefore photoreal and full of color.”
The Television Academy has honored Arri for outstanding achievement in engineering development for its Arri SkyPanel family of LED softlights. The Engineering Emmys are presented to individuals, companies, or organizations for engineering developments that are either so extensive an improvement on existing methods or so innovative in nature that they materially affect the recording, transmission, or reception of television.
Arri has launched Inter Partes Reviews procedures with the US Patent Office challenging the legal validity of patents covering conventional lighting effect functionalities. Arri contends that the alleged inventions have long been well-known. Ivo Ivanovski, Arri’s general manager business unit lighting, issued a statement outlining his company’s position. Here is the statement in full:
Arri Rental North America, a leading camera, lens, and grip equipment rental service company, announces plans to open a new headquarters in Long Island City, New York, during the first quarter of 2022. The facility will offer comprehensive equipment and exceptional services, enabling Arri Rental to provide an even higher caliber of service and support to its customers. The new location will also serve as a creative hub for production communities in New York and the greater Northeastern region
Arri has endorsed B-Mount as a universal 24 V battery industry standard. The new B-Mount battery interface, as used in current and future Arri cameras and lights, is rapidly being adopted as a brand-agnostic industry standard, bringing benefits to Arri customers and the entire global industry.
The Vitec Group has acquired Quasar Science, a leading LED lighting technology provider. The business will become part of the Group’s Production Solutions Division alongside Litepanels the award-winning supplier of LED lighting panels for television lighting and cinematography acquired by the Group in 2008.
Markus Förderer, ASC, BVK doesn’t take chances on set. He considers shooting days precious, so he rigorously tests new gear, new moves and new ideas long before he gets to set. “Shooting days are there to shoot” he says, “not to set up and light,” so he comes to the set prepared. The highly visually driven film, Bliss was no exception. A science fiction drama, it stars Owen Wilson as Greg and Salma Hayek as Isabel. The story is set around a man whose life is in disarray when he meets a beautiful woman who tries to convince him he is living in a simulation.
Arri has introduced Remote Solutions, a toolkit that can be customized to meet near-set and off-set workflows. This remote production ecosystem allows professionals to safely and immediately get back to work without compromising operational and creative control.