Purpose built for cinematography and made in Germany, the Leitz Elsie lenses are designed for full frame performance at a size, speed, and price point to serve a broad range of productions. The set features a consistent aperture of T2.1 across all 13 lenses from 15 mm to 150 mm.
Produced for Amazon Studios, the feature film Birds of Paradise tells the story of two girls at an elite Parisian ballet academy that have their bond and bodies tested as they compete for a contract to join the company of the Opéra National de Paris. The film was directed by Sarah Adina Smith, who not only adapted the A.K. Small novel for the screenplay, but also happens to be director of photography Shaheen Seth’s wife.
In the 1990s, almost every cinematographer in New York was using Cooke Optics S4/i lenses for commercials, music videos, and independent features, this according to Aaron Medick, one of the cinematographers on Power Book III: Raising Kanan. He became lead DP in the second season for Power Book II: Ghost after starting as B camera/Steadicam operator and moving up to DP for Power, which launched the franchise for cable and streaming service Starz. And it should come as no surprise that many of the DPs on the franchise come from New York, including Power lead DP Tim Ives, ASC who also shot the pilot.
Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC faced a race against time in the face of a threatening global pandemic to capture the vibrant colors and contrasting scenes of the Moroccan landscape for the feature film The Forgiven, starring Jessica Chastain, Ralph Fiennes, and Matt Smith.
The caper film The Sixth Reel tells the story of Jimmy, a New Yorker obsessed with old Hollywood, who is one of an extended community of discerning – and extremely catty – movie memorabilia collectors. When the death of a close friend unearths the long-lost final reel of a classic horror film, Jimmy and his cohorts each concoct underhanded schemes to cash in on a big sale of the film. The Sixth Reel was written and directed by Charles Busch and Carl Andress, and stars Charles Busch, Julie Halston, Margaret Cho, Tim Daly, and an ensemble cast of beloved Broadway veterans.
Arri Rental North America, a leading camera, lens, and grip equipment rental service company, announces plans to open a new headquarters in Long Island City, New York, during the first quarter of 2022. The facility will offer comprehensive equipment and exceptional services, enabling Arri Rental to provide an even higher caliber of service and support to its customers. The new location will also serve as a creative hub for production communities in New York and the greater Northeastern region
When writer/director Christian Rousseau envisioned the look of No Loss // No Gain, he knew that the two worlds the film would portray would need to be photographed differently, but the idea of using completely different lenses from two different manufacturers was not part of the initial plan — until cinematographers John Sedlack and Kate Steinhebel had to switch which unit each would photograph.
Below Zero has quickly become a breakout hit globally. The Spanish Netflix Original follows the events after a prisoner transfer van is attacked. The officer in charge must fight those inside and outside while dealing with a silent foe: the icy temperatures.
Cooke Optics has appointed Andy Buckland to the newly created role of director of product management. Reporting directly to Tim Pugh, CEO, Buckland’s new role includes responsibility for developing Cooke’s product roadmap, including launching forums to enable the design and development team to engage more effectively with our diverse range of customers and users.
Cooke Optics has transferred its archives, an historic collection dating from 1886, to a new permanent home at the Margaret Herrick Library, the main repository of research materials of the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California. The Cooke Archives, which includes documents, photographs and audiotapes cataloguing the rich history of Cooke lenses as well as the wider development of the film and photography sectors, will be available for research purposes