Filmmaker Matt Ogens latest effort is a feature length documentary called Meet the Hitlers. When he selects the right for any of his projects his first thought, though, is how best to tell the story is wants to convey. “It all comes down to telling great stories,” said Ogens. “There are different types of stories, and the nature of the story itself may change how I capture it on film. To decide on that, I collaborate with a director of photography and ask what type of camera he or she thinks is best for each project from a creative perspective, but sometimes the reality of a budget may also dictate what cameras are available to me. We will discuss the look I want for the story and then the DP and I will choose the camera.”
Re-creating the past can be challenging for filmmakers, especially when tasked to duplicate the look of a particular time in history for a period movie. Add a tight budget, cramped locations, and underwater photography, and you have the situation James Chressanthis, ASC, faced as cinematographer for the movie The Watsons Go to Birmingham. Based on the novel by Christopher Paul Curtis, the film depicts a fictional family’s 1963 road trip intersecting with an actual terrorist bombing during the civil-rights era.
A new video from the optical devices division of Fujifilm North America Corporation describes the proper way to remove and mount the digital servo drive unit for Fujinon PL lenses. The company also announced a new zoom lens, the PL 14-35mm.
Thales Angénieux will demo its Optimo DP Series 25-250mm 10x zoom lens at the Band Pro One World Open House at Band Pro’s Burbank headquarters on Thursday, December 12.
Amazing in Motion is a set of projects by Lexus that explore the complexity of motion. The second installation of the brand series, Swarm is a spirited story featuring custom-designed small aircraft known as quadrotors that roam through various locations in Vancouver, Canada at night.
Schneider Optics has announced a $2500 Rebate on a new set of six Cine Xenar III lenses purchased from November 1 through the end of February 2014.
Panavision has introduced a new line of Primo lenses, the Primo V series, specifically designed to work with today’s high-resolution 35mm digital cameras.
The movie’s budget was ultra-low, the shooting schedule just 21 days, and the studio mostly the mean streets and cramped tenements of Manhattan’s Lower East Side. Add a first-time director/screenwriter who is also portraying the film’s main character, and it was clear that making Straight Outta Tompkins presented multiple challenges.
“When I was on The Office, we started off with the traditional three man tripod and head set up” says Randall Einhorn, cinematographer turned producer/director. “We had great support but it simply took too much time and manpower to set up. So, I started looking around and realized that the OConnor 1030D with the CF tripod could be the solution.
This year, when cinematographer Danna Kinsky made her pilgrimage to Black Rock City for the Burning Man festival, she took something new with her — the iPro Lens System from Schneider Optics for her iPhone.