The Optical Devices Division of Fujifilm North America Corporation will showcase its entire range of Premier PL 4K+ cine lenses and the Cabrio cine/ENG-Style lens series at the Cine Gear Expo 2014, being held from June 5-8 at The Studios at Paramount in Hollywood.
The 2011 Rise of the Planet of the Apes unleashed a cross-species thriller and, on July 11, the sequel, Dawn of the Planet of the Apes, directed by Matt Reeves and shot by cinematographer Michael Seresin will debut in U.S. theatres. Although most 3D movies currently are shot in 2D and converted to 3D in post-production, this movie was shot in native 3D. Seresin, who also shot a significant portion of Gravity, faced his first experience shooting native 3D. Although he doesn’t consider himself a “technical cinematographer,” Seresin felt confident. “Lighting, composition, and camera moves is what I like,” he says.
When cinematographer Colt Seman and colleagues, Dylan Trussell and David Dinetz of Culprit Creative were charged with creating the music video for Korn’s Spike in My Veins, they decided to go beyond the expected. For the edgy video, they deployed the new Bolt Cinebot high speed robotic camera arm, the 1000fps, high-definition Phantom Miro camera; and Schneider-Kreuznach Cine-Xenar III prime lenses.
Schneider Optics has introduced its new wide angle adapter for Fujinon’s 19-90mm T2.9 PL-mount Cabrio zoom lens. The adapter provides a 30-percent wider angle than the Cabrio’s 19mm limitation, with a minimum focal length of 14.5mm.
Fujifilm will announce the latest addition to its Cabrio series of cine zooms, the Premier PL 25-300mm Cabrio [ZK12x25] at the National Association of Broadcasters convention in Las Vegas next week. Equipped with a 35mm PL mount, the PL 25-300mm boasts a high zoom ratio covering the focal length of 25mm to 300mm.
Angénieux will unveil a new line of mid-budget zoom lenses at the National Association of Broadcasters convention in Las Vegas next week. The company says the move was prompted by the proliferation of 4K digital screens and the advent of Ultra definition television that are escalating the demands for high quality motion picture content. A vast spectrum of new generation digital 35mm cameras has become available, and these are being deployed in numerous production environments encompassing movies, dramas, commercials, concerts and live sports events.
Climate change is a complex global phenomenon. Documenting its many aspects for a new multi-part cable series required an HD production format that could not only provide a cinematic, audience-friendly look but also the flexibility to capture everything from expert interviews to location footage shot in a wide range of temperature extremes. Challenged with these requirements, the producers of Showtime’s Years of Living Dangerously chose Canon EOS C300 digital cinema cameras and a wide variety of Canon optics, including Canon CN-E Cinema prime lenses, for the superb image quality, extreme mobility, and creative capabilities needed to make this multi-camera documentary-style series.
Technological Cinevideo Services has added its 11th Fujinon Cabrio lens to its equipment roster.
The deadline and budget were tight. The client – a leading maker of iconic, affordable jeans – wanted stills and a beautifully photographed film-style location-shoot commercial turned around in one day.
Some of the world’s leading manufacturers of camera systems, lenses, lighting equipment, workflow technology and other film and television production gear will be on hand when Sim Digital, PS Production Services and Bling Digital, hosts the Sim Technology Showcase on January 30 at Sim’s Toronto headquarters.