Yvan Lucas is a veteran digital intermediate colorist with a unique international story. His career spans over 30 years, has involved working in 10 different labs, and has included creative collaborations with a long list of iconic cinematographers such as Robert Richardson, Darius Khondji and Rodrigo Prieto. Lucas credits the work he did with Khondji and director Jean-Pierre Jeunet – especially on the films Delicatessen and The City of Lost Children – for launching his international career and leading him to Los Angeles.
Even as the COVID-19 pandemic has curtailed production activity in much of Hollywood, Vortechs, an independent supplier of post-production technology, is implementing novel solutions to help its clients stay on track with motion picture and television projects. Vortechs-supplied projects, now working remotely, include the upcoming Warner Bros. features Suicide Squad 2 and In the Heights, directed by John Chu and edited by Myron Kerstein.
Crises bring out the worst and the best in people. The history of B&B Theatres began in 1924 when a man named Elmer Bills opened his first theatre in Salisbury, Missouri. A decade later he hired a boy named Sterling Bagby as a concessions clerk. Bagby eventually went on to start his own theatre company and for the next roughly forty years the families were friendly competitors. In 1980 the two families merged their companies into what is now B&B Theatres – Bills and Bagby – and the business is now run solely by the Bagby family. One thing that remained constant throughout the past century in both of those companies was the idea of family, which included their employees.
Construction has halted on the Academy Museum in Los Angeles in the wake of the global pandemic but its organizers still expect to be able to meet their previously announced opening date of December 14. "We are keenly aware that we're working towards the opening of the Academy Museum during a time of great challenge," said Bill Kramer, director of the Academy Museum of Motion Pictures.
CJ 4DPlex today announced that ScreenX, the company’s innovative 270-degree panoramic movie-going format was awarded Gold in the Media, Visual Communications & Entertainment category at this year’s Edison Awards.
Thousands of people from around the world who work in the motion picture industry were supposed to be at Caesar’s Palace in Las Vegas this week for CinemaCon 2020. Instead we are all, for the most part, dealing with the COVID-19 crisis by staying home, washing our hands frequently and practicing social distancing. With the vast majority of the world’s movie theatres closed until further notice and movie production at a standstill, many people are out of work and worrying about when, or if, they will get paid again. With that in mind, I reached out via email to Patrick Corcoran, the National Association of Theatre Owners vice president & chief communications officer, to see how NATO and its members are responding to the crisi
The Art-House America Campaign, a new relief fund established by initial donations from the Criterion Collection and Janus Films, has been launched to help the more than 150 independent movie theatres across the United States that have temporarily closed to slow the spread of COVID-19. As part of that effort, a map is being created to track specific theatres that are closed.
Some event cinema distributors and their partners are getting creative in these challenging times. This Thursday, April 2, the Los Angeles-based event cinema distributor Abramorama and The Dollywood Foundation will present an online book-reading series entitled Goodnight with Dolly. Abramorama was originally scheduled to release the documentary The Library That Dolly Built in more than 330 cinemas on April 2. Due to the current COVID-19 crisis, the film will instead open nationally the week of September 21, to commemorate the Library’s 25th anniversary.
Ana Monte, lead sound designer and Daniel Deboy, lead sound engineer founded Delta Soundworks in Heidelberg, Germany in 2016. The company is a 3D/immersive audio post-production facility with projects that span across installations, virtual reality, 360-degree films and gaming, as well as feature films, documentaries, TV shows and commercials. Their team consists of a highly skilled and creative group of production sound mixers, recording engineers, sound designers, Foley artists, composers and music producers. Digital Cinema Report recently spoke with Monte and Deboy about their business and some very interesting projects.
For more than 10 years, production sound mixer and location sound recordist, David Thirion, has been using DPA microphones to capture audio for film and television projects. Their audio quality and natural sound was a key reason for his choice, but equally important was the tiny size of some models, which makes them ideal for situations where they need to be hidden on actors’ bodies or in costumes.