Arts Alliance Media, the global leader in digital cinema software and support services, has launched Operation Beach Clean, an initiative designed to reduce environmental waste by removing litter from Britain’s beaches.
When Gene Martin, owner of Audio Department and Sound Guy Solutions, was presented with a technical nightmare for a commercial client in the early days of COVID, his sound mixer gears started turning. With scenes being shot in separate areas around the U.S., Martin had to juggle as many as 10 different drop kit audio packages at a time. As he was on-location with the main crew in California, he also had to account for remote workflows as well as social distancing protocols.
Vue Entertainment’s Cinema3D circuit in Poland has installed Vista Cinema management software in all 11 sites. The announcement was made jointly by Roland Jones, executive director technical services, Vue International and Till Cussmann, Vista’s senior vice president, sales for EMEA and general manager, Europe.
Following the lift of the first lockdown in London caused by the COVID-19 outbreak in early July, cinematographer Matteo Bangrazi and filmmaker Alfred George Bailey immediately jumped on set with the rest of their team to film the dance documentary I Still Breathe. The film is about a group of socially aware young adults who give extraordinary and deeply emotional testimonies of being black, mixed race, and white in London, England.
The Kinepolis Group reported on its third quarter financial status last Friday and, despite the ongoing challenges of the global pandemic, CEO Eddy Duquenne remains confident that his company and the cinema business as a whole will survive. “This global crisis is hitting us hard both directly and indirectly,” he said. “On the one hand because of the restrictive measures inside our cinemas and, on the other, because almost all blockbusters have been postponed. I remain positive about the future, as we are seeing that many movie lovers keep coming in spite of everything and feel safe inside the cinema. The fact that the studios are constantly postponing the vast majority of their films until a moment when they can secure their income, proves the importance and value of a cinema release. We are currently in pause mode, but the intermission of this film is lasting longer than foreseen. Fortunately, Kinepolis is in good financial shape.”
Technologist Jack Watts began his career in post-production in the Republic of Ireland. In 2013 he joined Technicolor in London where he was head of technology and development. He moved to Deluxe in London is 2015 as part of the joint venture between the two digital cinema business units at both companies. There he primarily focused on mastering solutions for digital cinema, and then eventually, the interoperable master format. There he acted as an internal consultant to the technical operations, client services and business development teams. Externally, there was also the need to consult the business’s premium studio clients.
Muvi Cinemas is celebrating the inauguration of its 103rd screen in Saudi Arabia this month with the opening of its new theatre in the Mall of Dhahran. The site is the tenth for Muvi Cinemas in 14 months since debuting their first location, having entered the market in 2019 as the Kingdom of Saudi Arabia’s first homegrown theatre chain
Film & Kino, Norway’s alliance of cinema providers is retrofitting 51 screens across the country with Christie RealLaser RGB projection systems. Integrator Unique Digital Nordic is handling the installations.
One of the victims of the global pandemic was Vulcan Video in Austin, Texas. The store opened in 1985 and quickly acquired a worldwide reputation for its vast curated collection of rare and hard-to-find VHS tapes, DVDs, and Blu-Rays. Alamo Drafthouse has acquired the collection and, once the COVID-19 crisis is over, the lobby of Alamo Drafthouse South Lamar in Austin will be the home of Video Vortex South Lamar, powered by Vulcan Video South.
Director Angel Manuel Soto's powerful award-winning coming of age drama, Charm City Kings won the U.S. Dramatic Special Jury Prize for Ensemble Acting at this year's Sundance Film Festival. Inspired by the dirt-bike culture revealed in the documentary 12 O'Clock Boys, the film is the story of Mouse (Jahi Di'Allo Winston), a boy who desperately wants to join an infamous clique of bikers that rules the inner-city streets of West Baltimore. It centers on the 14-year old's emotional struggle between a strait and narrow path and the thrill and fast money of a biker's world filled with violence.