Since 2007 Warsaw-based Dreamsound (www.dreamsound.pl) has been one of Poland’s top film post-production studios, offering a complete range of services from recording sound on set through sound editing, mixing and audio mastering. Since its inception Dreamsound has been committed to offering its clients the very latest in film sound technologies, as evidenced by the fact that it’s the first post-production house in Poland licensed to produce film soundtracks using the Dolby Atmos surround-sound system, heard at its full potential thanks to a system based around Harman’s JBL ScreenArray loudspeakers and Crown DSi and XLS DriveCore Series amplifiers.
With all the attention focused on a film’s visuals, its audio sometimes receives insufficient attention. The best cinematography and visual finish can be ruined by inadequate audio post-production, an outcome that separates the amateur from the professional filmmaker.
When planning the post-production phase for her film Movie Night, Anne McCarthy turned to Burbank-based AlphaDogs, having worked with them previously. “I now use AlphaDogs exclusively after they were able to fix a problem I had on a past project in just 24 hours. I knew my film would be in good hands and would not have risked taking it anywhere else,” said McCarthy.
Columbia Pictures’ The Amazing Spider Man 2 marks a groundbreaking collaboration between visual effects, sound and post-production teams from Sony Pictures Entertainment. The Academy Award-winning Sony Pictures Imageworks crafted over 1000 visual effects shots, Sony Pictures Post Production provided sound – its first project in in Dolby Atmos – and Colorworks performed film scanning, conforming and color grading all in 4K.
Light Illusion has announced the full integration of its LightSpace CMS (color management system) with the Dolby Professional Reference Monitor range, models PRM4200 and PRM4220. With this full integration, users can now perform fully automated profiling and calibration of the Dolby monitor range.
Odin’s Eye Entertainment has announced that the critically acclaimed independent survival drama Canopy will be mixed and released in the Dolby Atmos cinema sound platform.
When it came time for Rob Roy Cesar to post his new romantic comedy Pacoima Can Wait he realized there were problems with the audio. Uncertain there was anything that could be done to make the audio sound better, Cesar brought his film to AlphaDogs in Burbank upon the recommendation of a fellow film composer.
The Motion Picture Sound Editors has announced the results of the 2013 election of its Board of Directors. Elected to two-year terms in Executive Seats are Frank Morrone as President, Christopher Reeves as Secretary, and Ruth Adelman as Sargent at Arms. Morrone and Reeves are incumbents. They join continuing officers Mark Lanza (Vice President) and Paul Rodriguez (Treasurer).
LipSync Post provided grading, online editing, sound, VFX and titles for BBC One’s three-part drama Death Comes To Pemberley, based on P.D. James’ acclaimed sequel to the Jane Austen classic Pride and Prejudice. The dramas, produced by Origin Pictures for BBC One, are scheduled for broadcast on December 26-28.
The Hobbit: The Desolation of Smaug was brought to life at Park Road Post Production, New Zealand, where the production team mastered both high frame rate stereoscopic 3D at 48 frames per second and immersive Dolby Atmos sound, and integrated it all into the digital cinema package process.
The main tool they used for the task was the DVS Clipster, which allows for the world’s first implemented high frame rate DCI workflow with Dolby Atmos.