The way it’s supposed to work, a cinema should be able to acquire DCI Compliant equipment with the assurance that first release movies would not be withheld for reason of having the wrong gear. With the recent release of its DCI Memorandum Regarding Direct View Displays, it is no longer clear where DCI is heading.
Filmmaker Megan Griffiths has announced that she and producers Lacey Leavitt and Jennessa West will independently release her acclaimed drama Sadie. Working with creative distribution strategist Mia Bruno, the film will begin its roll out in New York and Los Angeles on October 12.
Deluxe has launched the Content & Key Manager to replace their existing Cinema Portal platform. The Content & Key Manager has been integrated as a service within Deluxe One – the company's flagship cloud-based platform that unifies each stage of the content supply chain, creating an end-to-end ability to manage assets and requirements from creation to delivery.
Éclair today announced the successful deployment of ÉclairBox content delivery in Denmark through Nordisk Film. The company credited Divo Post Production with supporting the delivery. Plans to further expand theatrical services across Scandinavia have been finalized. The announcement was made during the 2018 edition of the Norwegian International Film Festival Haugesund.
Cineplex, one of Canada’s largest entertainment and media companies, has announced that it will install Unique X theatre management system software across its enterprise. The agreement continues Unique X’s expansion into the North American cinema market.
Screenvision Media, in association with Kaos Connect, have announced that tickets are on sale now for their next event cinema release, Haikyu!! The Movie: Battle of Concepts. Screenings will take place on September 19, 22 and 23, in select theatres nationwide.
In response to what it says is the shifting intersection of theatrical film distribution and moviegoers’ accelerating trend towards in-home entertainment, new over-the-top company Row8 is launching what it claims will be the most cinematic and highest security digital streaming service – initially focused on exclusive premieres of foreign theatrical titles in the U.S. market. Row8’s goal is to elevate the experience of viewing theatrical features at home, presenting quality filmmaking fresh from theaters to targeted and passionate audiences
Abramorama and Cinereach have announced the release of the trailer for the kinetic and timely, documentary film Matangi Maya M.I.A. The movie opens in theatres September 21, in the U.K. and September 28 in the U.S.
Arts Alliance Media first opened its doors in London June 17, 2003. In those very early days of digital cinema, the new company and its ten employees carved out a space in technology and what was then called alternative content. The company divested itself of the alternative content business a few years ago to focus on what has long been its core strength: cinema technology. AAM launched its first theatre management system in 2007 and, in 2008, completed the first virtual print fee rollout in Europe with French chain CGR. Today AAM has more than 140 employees spread over three offices in London, Amsterdam, and Guangzhou, China. I recently spoke via email with AAM’s chief executive officer Patrick Foley, and chief technology officer Richard Phillips about those early days of the company and, more importantly, to get their thoughts about the future of digital cinema technology.
Gofilex and Motion Picture Solutions — two established names in theatrical film servicing and digital content distribution — today announced that the companies have signed several commercial and financial agreements to pave the way for the strategic alliance of MPS’s 700-site LANsat estate with Gofilex’s pan-European network of more than 1,400 sites.