MetaMedia, Velocity and Pixelogic have formed MVP, a partnership between the three companies to deliver streamlined workflows and reduced cost in relation to the creation and delivery of content direct to theatres around the world. Harnessing the combined capabilities of each partner, MVP aims to improve how digital cinema packages, key delivery messages and cinema advertising are produced and distributed over managed internet connections directly to exhibitors’ screens and dynamic digital lobby displays.
Digital Cinema Packages
CinemaNext has produced its own test Digital Cinema Package to allow cinemas to regularly test their digital projection and sound equipment to ensure they are in working order prior to reopening to the public. The company’s four test DCPs – one encrypted and three non-encrypted – are available to cinema exhibitors across Europe and internationally and can be downloaded free of charge via the EclairPlay content delivery platform at https://www.eclairplay.com/en_BEL/movies/cinemanext-test-dcp-package.
Éclair Theatrical Services has partnered with France’s Superior Commission for Image and Sound (CST) and the Federation of French Cinemas (FNCF) by overseeing the DCP mastering of their “Test” film, produced specially to allow French cinemas to ensure their projection equipment remains fully functional prior to reopening.
Goldcrest Post and CinePointe Advisors will unravel the process of preparing films for distribution in a special two-night workshop aimed at feature film and documentary producers and others responsible for budgeting and supervising films as they make their way through post-production. Sessions will offer insight into the legal, technical and physical aspects of film delivery, covering topics as wide-ranging as how to negotiate delivery terms to the intricacies of OTT delivery specs. Workshop leaders will include CinePointe Advisors business and financial affairs advisor Stacey Smith, Goldcrest Films head of production Gretchen McGowan and Goldcrest Post managing director Domenic Rom.
Arts Alliance Media has released new features and integrations to widely used theatre management system Screenwriter. The latest version provides AAM’s exhibitor customers with advanced automation options and support for the newest projectors and technology in digital cinema.
The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.
Earlier this week Éclair and Samsung held a ribbon cutting ceremony to officially open Éclair’s Paris-Vanves Onyx Cinema LED facility, the first of its kind in Europe. Éclair can now provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.
CinemaNext is relocating its UK offices to a new, high-tech facility in the west London town of Uxbridge. The result is an optimized and fully secure hub to support CinemaNext’s fast-growing activities in the United Kingdom and Ireland.
Despite the fact that the industry adopted an internationally ratified SMPTE DCP standard nearly a decade ago, there remains widespread confusion and disagreement about what constitutes a universally accepted digital cinema package. If that sentence makes no sense to you, you’re not alone. For months the European Digital Cinema Forum with sponsorship from the International Union of Cinemas has been developing a web portal to address this problem. Their mission statement is, “To act as an informational resource for the industry on the SMPTE DCP and its operational use, and to provide a point of reference of on-boarding for those individuals/organizations willing to aid in the transitional process on a territory by territory basis.”
Pixelogic has opened new advanced and innovative post-production content review and audio mixing theatres within its facility in Burbank, California. The main theatre is equipped with a Dolby Vision projection system, and supports Dolby Atmos immersive audio.