Over the coming months, 70 new titles from the extensive BBC archives will become available to Digital Theatre+’s customers across the globe, spanning over 30 years of recorded British theatre and theatrical commentary. The rapidly growing education platform is more than doubling the collection of education and video content that will be available in the library by the start of the 2017 academic year.
On Demand TV
Horace and Pete is a 2016 web series created, written, and directed by Louis C.K. A distinctive feature of the series is frequent references to highly topical current events during barroom discussions. This was made possible by having less than a week between the production and release of the episodes. It was also one of the reasons that the VariCam 35s were chosen for the show, according to post-production technical advisor Troy Thompson a longtime C.K. collaborator and colorist at New York’s Running Man.
The European Audiovisual Observatory has published a report entitled On demand services and the material scope of the AVMSD. Free to download here, the 70-page report analyzes the scope of the Audiovisual Media Services Directive – the current legal text applicable to broadcasting and VOD in Europe) as well as looking at the recent proposals presented on May 25 by Commissioners Ansip and Oettinger on possible changes to this pivotal legal text.
One of the hottest topics in Hollywood these days is Napster co-founder Sean Parker’s proposal called Screening Room. When I think of a screening room it looks something like the photograph that’s next to this paragraph. Apparently, when Parker thinks of a screening room, it’s basically my living room with a set-top box in it that I buy from him for $150. With that box I can then pay him $50 to save myself the trouble of driving to the theatre to see a first-run movie. The studios and most film directors are opposed. But a handful of directors and one exhibitor, AMC, reportedly support the idea. Many questions have been raised about the idea but mine is this: why not Netflix?
The New York Film Critics Series has partnered with independent cinemas to present live, in-theater events. The next NYFCS U.S. event on March 16 and 17 will be preview screenings of The Confirmation with on screen appearances by Clive Owen, Jaeden Lieberher, and writer director Bob Nelson (Nebraska).
Fandango has acquired Flixster and Rotten Tomatoes, including the professional movie critic rating tool, the Tomatometer, from Warner Bros. Entertainment. The addition of Flixster and Rotten Tomatoes, along with Fandango’s recent acquisition of on-demand video service, M-Go, will expand the company’s theatrical ticketing business and create the industry’s premier digital network for all things movies.
The French independent film platform UniversCiné has selected Unified Streaming to create a platform that offers viewers more than 4000 independent films ranging from classics to contemporary hits of independent cinema.
Cinedigm has announced a deal with Christian comedienne, television host and author Chonda Pierce to host three one-hour episodes of Chonda Pierce Presents: Stand-Up For Families, which is expected to premiere exclusively on Cinedigm's Dove Channel in late March leading up to Easter.
The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, and Russian film consultancy Nevafilm, are organizing a free conference January 27 during the 18th CSTB 2016 in Moscow. A networking drinks reception will follow the conference. The Observatory and Nevafilm will present their new report on the Russian television and video on demand market. This new report will be available free for download following the conference.
M-Go has unveiled a new monthly campaign called Movies that Matter. DreamWorks Animation and Technicolor created the video on demand service to reinforce their commitment to socially relevant films. The campaign will highlight a new film every month, beginning with the debut of the documentary film Imba Means Sing.