iQiyi today announced that the company’s first offline Yuker on-demand movie theatre in Zhongshan, Guangdong is now THX certified. Tao Lei, vice president of iQiyi, and Wu Hao, general manager of THX China unveiled the official THX Certified Cinema plaque during the opening ceremony launch event in Zhongshan, Guangdong on November 9. The company’s said this milestone not only reinforced iQiyi’s adherence to the company vision of “to become a technology-based entertainment giant”, but also demonstrated iQiyi and THX as the ideal partners to enable shopping malls to drive traffic and enhance engagement with consumers, as part of an ongoing transformation of retail spaces into digital entertainment complexes
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Jonathan Wales, mixing at Formosa NoHo, recently completed the audio mix for the Netflix series, The Haunting of Hill House. The Haunting of Hill House was mixed in Dolby Atmos. For the show, Wales needed to convey the feeling of spaciousness in the house and create unnerving suspense throughout the mix as a family relives their scary past.
Filmmaker Megan Griffiths has announced that she and producers Lacey Leavitt and Jennessa West will independently release her acclaimed drama Sadie. Working with creative distribution strategist Mia Bruno, the film will begin its roll out in New York and Los Angeles on October 12.
In response to what it says is the shifting intersection of theatrical film distribution and moviegoers’ accelerating trend towards in-home entertainment, new over-the-top company Row8 is launching what it claims will be the most cinematic and highest security digital streaming service – initially focused on exclusive premieres of foreign theatrical titles in the U.S. market. Row8’s goal is to elevate the experience of viewing theatrical features at home, presenting quality filmmaking fresh from theaters to targeted and passionate audiences
“I think if you’re making a high school movie, you can’t not watch John Hughes movies for reference,” said cinematographer Hillary Spera (Duck Butter, Submission). “Even if it’s subliminal, they’re woven into the language.” Filmmaker John Hughes had a string of hit films in the 1980s that were a true depiction of high school life in middle class suburbia. Movies like 16 Candles, The Breakfast Club, and Pretty in Pink portrayed teen characters with depth and intelligence but were also comedic.
Philip K. Dick’s Electric Dreams, the anthology series produced by Sony Pictures Television in a joint venture with Channel 4 in the U.K. and Amazon Studios in the U.S., draws on the late science fiction writer’s voluminous short fiction for its stories of alternate realities, future worlds and paradoxical situations. The show’s first season is a feast for the imagination, consisting of 10 stand-alone, one-hour episodes, each based on a different Philip K. Dick short story and each with a different cast, director and writer. Split between England and the United States, production of Philip K. Dick’s Electric Dreams was logistically and creatively challenging.
Deluxe announced today that it has strengthened its suite of managed services from Deluxe Distribution with new over the top capabilities by adding Smart Video Engine to the video supply chain technology stack built by Deluxe Technologies. This new OTT platform gives Deluxe a game changing, unified end-to-end solution that removes the complexity and burdensome cost of managing multiple vendors and integrations across the video supply chain. With this platform, Deluxe Distribution is a global “one stop shop” for clients looking for solutions that simplify the growing challenges and complexities of content management and distribution.
A new report by the European Observatory has found that fewer that sixty percent of feature films were released via video on demand in the country’s where the played in movie theatre. The European Commission financed by the report.
Morgan Stanley analyst Benjamin Swinburne issued a report this week in which he argues that the big studios should get serious about premium on-demand video and suggests that Hollywood release feature films to the home while they’re still showing in movie theatres.
Anne with an E, a Netflix series, is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery. The series was shot by cinematographer Bobby Shore, CSC with Panasonic VariCam 35 cinema cameras. As a teenager growing up in Canada, Shore was a huge fan of director Darren Aronofsky (Black Swan, Requiem for a Dream) and his cinematographer, Matthew Libatique, ASC. While studying film at Concordia University in Montreal, he worked as an extra on the set of Abandon (2002), a feature film shot by Libatique. “When I would read about movies he [Libatique] was working on, it always seemed like his work came from an emotionally driven place,” reveals Shore. “It was easy for me to latch on to his ideas.”