Dailies

Assimilate Announces DIT Pack Advanced Dailies and Live Grading Bundle

Wed, 02/10/2021 - 11:10 -- Nick Dager

Assimilate today announced DIT Pack, a new product bundle that includes Assimilate’s advanced Scratch dailies software and Live Looks for live grading single and multi-cam set-ups. The DIT Pack is ideal for modern production workflows that require extensive previz on-set to increase creative control, and to streamline post workflows after the shoot.

HPA Explores How Love Island USA Producers Coped with COVID

Wed, 02/03/2021 - 12:52 -- Nick Dager

The Hollywood Professional Association Industry Recovery Task Force will explore how CBS/ITV Entertainment’s Love Island USA moved from Fiji to Las Vegas and kept their exacting production and delivery schedule intact in the midst of the Coronavirus upheaval, late in 2020. HPA’s Virtual Town Hall, the latest in the series produced by the Industry Recovery Task Force, will take place on February 10 from 11:00 a.m to 12:30 p.m. PDT.

Moxion Integrates Dolby Vision into Advanced Remote HDR Reviews

Tue, 10/06/2020 - 13:46 -- Nick Dager

Moxion, creator of the Moxion Immediates instant dailies service platform, has announced the integration of Dolby Vision, Dolby’s advanced imaging technology that combines high dynamic range with wide color gamut capabilities. With the ability to monitor in Dolby Vision for remote cuts, color, dailies and VFX review, key creatives are now empowered to make decisions based on the image the director, colorist and cinematographer envisioned.

Sohonet, Moxion Partner on Synchronous, Asynchronous Remote Review

Mon, 06/22/2020 - 07:59 -- Nick Dager

Sohonet has partnered with Moxion to broaden the range of remote collaboration solutions it can now offer the production, post and visual effects communities. The companies say the partnership will provide the production, post and visual effects communities with a distinct set of tools designed to enable both synchronous and asynchronous remote review to suit every use case.

Compression, File Sizes Topics at Next SMPTE Hollywood Section Meeting

Thu, 03/05/2020 - 12:42 -- Nick Dager

The Hollywood Section of the Society of Motion Picture and Television Engineers will explore the evolution of video compression, and new ideas for keeping files small, while preserving quality and creative intent, at its monthly meeting, scheduled for March 26 at the Academy of Motion Picture Arts and Sciences.

Talking with DejaEdit Developer Nikolai Waldman

Mon, 02/17/2020 - 10:57 -- Nick Dager

CAN Film is a boutique post-production and film company based in the heart of Gothenburg, Sweden. Clas Hakeröd and Nikolai Waldman, two highly experienced and trusted names within the industry, started the company in 2015. For the past 20 years they have been producing and post-producing commercials, features, corporate films, documentaries and TV series, like The girl who played with fire, Olympic Games, Saltön, Ettor & nollor, Americas Cup, Uppdrag Granskning, Volvo, IKEA and many more. Recently, Waldman branched out to start the company DejaSoft and develop the editing software tool DejaEdit. Digital Cinema Report spoke with him about how DejaEdit came to be.

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Frame.io Names Michael Cioni SVP of Global Innovation

Wed, 10/09/2019 - 12:45 -- Nick Dager

Frame.io, one of the world’s leading video review and collaboration platform used by more than one million filmmakers and media professionals, has hired Michael Cioni as senior vice president of global innovation. Cioni, one of the industry’s most prominent production and post workflow experts, joins Frame.io from international camera company Panavision, where, in a similar role, he spearheaded numerous breakthrough products and workflows, including the Millennium DXL 8K large-format camera system.

Addressing Yesterday’s Workflow Challenges

Wed, 07/24/2019 - 14:08 -- Sarah Priestnall

Yesterday, the new British musical comedy directed by Danny Boyle, which was released last month following its debut at the Tribeca Film Festival, used as many as twelve cameras for some scenes. This presented some serious workflow challenges. To address them, cinematographer Christopher Ross BSC, who had previously worked with Boyle on the TV series Trust was joined by Mission digital imaging technician Thomas Patrick who had worked with him for the first time on Trust in 2017.

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