Color Grading

Streamlining an Indie Film's Process

Mon, 08/26/2019 - 13:17 -- Nick Dager

The production of the feature film Brittany Runs a Marathon presented several challenges. The directorial debut of Paul Downs Colaizzo, the film was shot by cinematographer Séamus Tierney, who came to the project late. That was just one of the reasons he was grateful to have the Panavision family of services to back him up, including camera support and Light Iron post-production.

Addressing Yesterday’s Workflow Challenges

Wed, 07/24/2019 - 14:08 -- Sarah Priestnall

Yesterday, the new British musical comedy directed by Danny Boyle, which was released last month following its debut at the Tribeca Film Festival, used as many as twelve cameras for some scenes. This presented some serious workflow challenges. To address them, cinematographer Christopher Ross BSC, who had previously worked with Boyle on the TV series Trust was joined by Mission digital imaging technician Thomas Patrick who had worked with him for the first time on Trust in 2017.

Matthieu Straub Joins FilmLight as Technical Advisor

Mon, 07/15/2019 - 12:19 -- Nick Dager

Well-known French digital imaging technician and film workflow specialist, Matthieu Straub, has joined FilmLight. Based in Paris, he will provide technical advice and practical assistance to FilmLight clients in France and Benelux, as well as acting as the company’s voice in local key trade groups and with training partners in the production and post marketplaces.

Play it Again, Sam

Tue, 07/09/2019 - 13:32 -- Nick Dager

Sam Chynoweth joined Technicolor in July 2018 and brings a mixture of animation and live action experience to Technicolor’s London color team. Chynoweth previously worked as a colorist in Australia on a number of different projects, including The Lego Movie, The Infiltrator, Peter Rabbit and The Lego Batman Movie. He spoke with Digital Cinema Report recently about his work.

Atomos Introduces Neon 4K HDR Field Monitor-Recorders

Mon, 06/03/2019 - 12:11 -- Nick Dager

Atomos Limited has introduced Neon, an all-new line-up of precision 4K HDR field monitor-recorders for on-set or in-studio production where reliable and trustworthy monitoring is essential. Neon comes in four screen sizes, 17-inch, 24-inch, 31-inch and 55-inch, ensuring that no matter the critical production usage, every crew member sees an accurate image representation so directors know with confidence that they have got the shot, that cinematographers ensure consistent exposure, focus pullers maintain the sharpness of an actor's eyes, and so editors and color graders can lock down the creative intent from shot to shot.

Films at 59 Installs PixStor 4K Storage Platform

Tue, 05/21/2019 - 12:10 -- Nick Dager

Films at 59, one of the UK’s leading post houses, has installed a Pixit Media PixStor scalable storage platform to support its 4K high-end grading and finishing work. Founded in 1990, Films at 59 is an award-winning pre- and post-production house, with sites in Bristol and Cardiff and collaborative working relationships worldwide. Delivering across all genres, the company is renowned for its achievements in high-end broadcast, particularly in factual entertainment and natural history.

Panasonic V-Log Update Earns Netflix Post Alliance Approval

Fri, 05/03/2019 - 10:06 -- Nick Dager

The latest free firmware upgrade to Panasonic’s AK-UC4000 4K/HD HDR-capable camera system has added V-Log output, incorporating the full power of the colorimetry of the company’s line of VariCam and AU-EVA1 cinema cameras and making the camera useful for post-production workflows. With the inclusion of V-Log, the AK-UC4000 has earned approval of the Netflix Post Alliance for creating Netflix-approved content, joining the VariCam 35, VariCam LT, VariCam PURE and EVA1 on the sanctioned list.

Red Releases the R3D SDK for Real-Time 8K Playback

Wed, 04/24/2019 - 13:38 -- Nick Dager

Red Digital Cinema has released its Red R3D SDK and accompanying RedCine-X Pro software with accelerated decode and debayering on Nvidia CUDA platforms. By offloading the compute-intensive decoding and debayering of Red R3D files onto one or more Nvidia GPUs, the company says that real-time playback, edit and color grade of 8K footage is now possible.

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