Color Grading

OwnZones Adds New Features to Connect Platform

Mon, 08/10/2020 - 08:58 -- Nick Dager

OwnZones Entertainment Technologies has released three new features to its OwnZones Connect platform to support customers and optimize user experience. The new features, which include: Deep Analysis, Task Management, and Search Service, help Connect users efficiently organize, manage, and deliver content as well as collaborate better via the cloud while working remotely.

The Colonie Creates a New State Farm Commercial from Home

Tue, 07/21/2020 - 11:58 -- Nick Dager

With normal production not an option during the pandemic, at the request of advertising agency The Marketing Arm, the Chicago creative company The Colonie remotely edited, color graded and finished a live-action commercial for State Farm insurance. Its team rallied, pulling volumes of stock shots, user generated content in conjunction with Catch & Release and even augmented footage by filming their own families at home in scenarios that have become the new norm.

Green is More Than a Color

Wed, 06/24/2020 - 10:56 -- Nick Dager

Cédric Lejeune is vice president of technology for ÉclairColor, part of the Ymagis Group. He is also the founder of Workflowers, a recently formed consulting company that offers training services to media companies including quality management, color management, human resources and environmental topics. I wanted to learn about his new dual role and, in particular, hear his thoughts on how the motion picture industry can be more environmentally responsible.

Realism Grounded in LA Locations

Mon, 05/18/2020 - 10:25 -- Nick Dager

Inspired by Michael Connelly’s Harry Bosch novels, the Amazon Prime Video police-procedural series Bosch premiered its sixth season on April 17. The show has also been renewed for a seventh and final season, offering one last outing for the eponymous LAPD homicide detective. Cinematographer Patrick Cady, ASC has been behind the camera for roughly half of the show’s 60 episodes to date, going back to Season 1. From the beginning, Cady and his collaborators have sought to create a sense of realism grounded in the show’s Los Angeles locations.

Iranian Film Faced Unique Challenges

Thu, 04/16/2020 - 08:01 -- Nick Dager

Sometimes the story of how a film was made is almost as compelling as the story the film itself tells. That was certainly the case with There is No Evil, this year’s Golden Bear winner at the 70th annual Berlinale, the 2020 Berlin Film Festival. The film, from Iranian director Mohammed Rasoulof, faced serious and unique challenges getting onto the big screen at a film festival. First, there was the fact that Rasoulof is unable to leave Iran.

Continuity the Key to Color Grading

Tue, 04/14/2020 - 11:11 -- Nick Dager

Yvan Lucas is a veteran digital intermediate colorist with a unique international story. His career spans over 30 years, has involved working in 10 different labs, and has included creative collaborations with a long list of iconic cinematographers such as Robert Richardson, Darius Khondji and Rodrigo Prieto. Lucas credits the work he did with Khondji and director Jean-Pierre Jeunet – especially on the films Delicatessen and The City of Lost Children – for launching his international career and leading him to Los Angeles.

Walter Volpatto Named Fellow of Colorist Society International

Mon, 03/30/2020 - 09:30 -- Nick Dager

Veteran colorist Walter Volpatto, CSI has been appointed to the leadership of the Colorist Society International as a Fellow. A senior colorist at EFilm in Hollywood, Volpatto was nominated for a 2019 HPA Award for his work on the film Green Book. His more than 100 credits also include the features Star Wars: Episode VIII – The Last Jedi, Dunkirk, Midway and Independence Day: Resurgence, as well as the television series Homecoming and Queen Sugar. He joins Dale Grahn, Lou Levinson, Charles Poynton and Kevin Shaw as CSI Fellows.

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