Director of photography Bobby Bukowski (When We Rise, Weeds, The Messenger, Arlington Road) has completed production of the upcoming Netflix series Gypsy, starring Naomi Watts and Billy Crudup. Bukowski shot the 10-episode dramatic series with Panasonic VariCam 35 4K camera recorders. “The greatest gift of the VariCam is the impetus to drop old habits, reinvent techniques and redefine who you are as an artist,” said Bukowski. “It’s wonderful and exciting to look at your craft through a different prism.
In order to facilitate its business in France, Arri, the Munich-based film technology company, is announcing the founding of Arri CT (for Cine Technik) France. For the first time, Arri will have an office space solely dedicated to its camera systems and lighting business units in France while being able to offer a special promotional platform for the Alexa 65 available from Arri Rental. Arri CT France will open its doors in September in time to celebrate the company’s 100th birthday.
One of the most honest portraits of teenage life, 13 Reasons Why is a Netflix series based on the 2007 young adult novel by Jay Asher and adapted by Brian Yorkey. Academy Award winning writer/director Tom McCarthy worked with cinematographer Andrij Parekh (Show Me a Hero, Blue Valentine) with Panasonic VariCam 35 cinema cameras to capture a distinctive look for the first two episodes of the series.
Cooke Optics announced today that Panavision, Red Digital Cinema, Canon, Blackmagic Design, CW Sonderoptic and Sony are embracing an industry-defining project to standardize the collection of lens metadata from PL and selected Panavision mount lenses on the /i Technology protocol.
Two Netflix shows – Master of None and Love – have three things in common: both are comedies, both have a cinematic look and cinematographer Mark Schwartzbard shot both. Created by comedian Aziz Ansari and Alan Yang, Master of None tells the story of Dev, a 30-year-old actor who attempts to balance his career and love life in New York City. Love, created by Judd Apatow (Trainwreck, This Is 40), Paul Rust, and Lesley Arfin, explores an intense relationship between two Angelenos, Mickey (Gillian Jacobs) and Gus (Paul Rust).
Band Pro Film & Digital, with offices in Burbank, New York City, Munich and Tel Aviv, has invested in Panasonic VariCam LT 4K cinema cameras and the BT-4LH310 4K production monitor.
Panasonic has announced a free firmware upgrade for the VariCam 35 and LT cinema cameras and VariCam HS high-speed 1080P camera that includes additional ProRes codecs and HD-SDI Monitor output improvements.
Cinematographer William Wages, ASC shot the upcoming CMT limited dramatic series Sun Records with Panasonic VariCam LT 4K cinema camcorders. The story was inspired by the Tony Award-winning musical Million Dollar Quartet, is a coming-of-age story set in Memphis, Tennessee during the tumultuous early days of the civil rights movement. Guided by Sam Phillips of the legendary Sun Records, young musicians like Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins combined the styles of hillbilly country with the 1950s R&B sound, changing the course of music forever. The series chronicles these young artists’ often jarring and sudden meteoric rise to fame in the face of sweeping political change and social unrest.
This year marks 100 years since August Arnold and Robert Richter rented a small former shoemaker’s store in Munich and set up shop as a film technology firm. The two young friends started with just one product: a copying machine they built on a lathe Richter had received as a Christmas present from his parents. Taking the first two letters of their surnames, they christened their new enterprise Arri.
Filmworkers, Nashville, provided editorial and post-production finishing services for Garth Brooks: Yankee Stadium Live, a two-hour concert special that recently debuted on AT&T’s Audience Network. Produced and directed by Jon Small, the special, which was captured, finished and broadcast in 4K and documents the superstar musician’s two sold out shows from last summer. It was the first ever concert for a country artist at Yankee Stadium, and Brooks’ first appearance in New York City in 19 years. Filmworkers’ Adam Little edited the show; colorist Jimmy Cadenas applied the final color grade.