Data management company DCIMPro360 has named post-production veteran Patrick Howley to be its director of technology. Howley has more than 40 years of experience as an engineer, consultant, sales director, project manager, and owner/operator of a large digital production and post-production center.
Sony Pictures Post Production Services has extended its long-standing relationship with Wazee Digital through December 2017. Under the extended contract, Sony Pictures will continue using Wazee Digital Core and its automated metadata-processing technology to store, view, and manage assets from Sony Pictures' inventory of feature films, including stock footage, full-length features, and clip selects.
Primestream has introduced Virtual Reality/360 asset management support in Xchange Suite, for workflows from capture through delivery. These new features enable storytellers and content creators to produce and store VR/360 content while leveraging collaborative workflows in a metadata rich environment.
Creators, artists, musicians and filmmakers, on the one hand, defend their legitimate right to reap the benefits of their work. Internet users and public at large, on their part, claim a fundamental right to access information and culture online on fair terms and by means of more attractive business models. How can the current copyright laws respond to all these challenges? What should be the role of internet intermediaries in the enforcement of copyright online? And more generally in this context, how to combine effective protection with the principle of net neutrality?
The post-production team for the Canadian family drama series Backstage is again relying Facilis TerraBlock for their collaborative editorial workflow for its second season. Ellen Fine, CCE (Canada Cinema Editor) is the supervising editor and consulting producer on Backstage. The series is produced by Fresh TV and distributed by DHX. It currently airs on the Family Channel in Canada and on the Disney Channel in the US and worldwide.
Archion Technologies has announced that its Omni and Omni Hybrid network-attached storage systems – designed for 4K workflows in post-production, finishing, graphics, visual effects, and other types of video media – have been certified for use with Blackmagic Design’s DaVinci Resolve and DaVinci Resolve Studio.
At this month’s American Film Market in Santa Monica, WCPMedia Services will demonstrate its cloud-based media-management platform, WCPWeb App. Used by producers, distributors, film festivals and others worldwide. The market runs through November 9.
Rome-based post company Augustus Color has moved post-production for Black Butterfly, Paradox Studios’ upcoming psychological thriller, to the cloud. Augustus is using WCPMedia’s media management platform to deliver dailies media to the film’s editorial team in Spain.
MTI Film recently completed an all-new 4K restoration of director Lewis Milestone’s 1931 film The Front Page. The months-long project was conducted for The Academy Film Archive and The Film Foundation, with MTI Film’s restoration team working under the direction of AFA director Michael Pogorzelski and film preservationist Heather Linville.
Cops began its 29th consecutive television season this year and its producer Langley Productions relies on Archion’s EditStor for asset management. Langley also produces the reality series Jail, now in its eighth season.