The Norwegian Film Institute has selected Nagra’s media asset management platform DVnor Organizer for secure storage and one-click distribution of its films to more than 170 film festivals worldwide. The system will enable the NFI to receive, store and distribute new cinema titles in high-quality from all the major Norwegian film producers and production companies, as well as store more than 300 catalogue titles. It will also provide subtitling packages in different languages.
CAN Film is a boutique post-production and film company based in the heart of Gothenburg, Sweden. Clas Hakeröd and Nikolai Waldman, two highly experienced and trusted names within the industry, started the company in 2015. For the past 20 years they have been producing and post-producing commercials, features, corporate films, documentaries and TV series, like The girl who played with fire, Olympic Games, Saltön, Ettor & nollor, Americas Cup, Uppdrag Granskning, Volvo, IKEA and many more. Recently, Waldman branched out to start the company DejaSoft and develop the editing software tool DejaEdit. Digital Cinema Report spoke with him about how DejaEdit came to be.
A major pain point for companies using content supply chain tools in the cloud has been having to download an Interoperable Master Format package locally and re-upload it in order to actually deliver it to a platform. Here’s an all-too-common scenario: you’ve already ingested your content into the cloud, made all the required localizations, and performed final quality control procedures, but when it’s time to deliver your content, it could take you hours upon hours to download and re-upload it to the platform.
Software as a service provider Signiant is revamping its sales organization to support the next phase of growth and an increasingly sophisticated customer engagement model.
BAFTA and Emmy award-winning visual effects and animation house Jellyfish Pictures is using Pixit Media’s PixStor’s new secure container services to meet the highest security accreditation standards, while supporting collaborative workflows across its multiple sites.
At this year’s Association of Moving Image Archivists annual conference in Baltimore, four awards will be presented by the organization to individuals and organizations that have demonstrated exceptional work in the areas of preservation. The ceremony will take place on November 14 at the Parkway Theatre in Baltimore, where the convention runs from November 13-16.
Post-production IT specialist Edwin Polanco has joined Periscope Post & Audio, Hollywood, as its chief engineer. Polanco will set engineering policies, oversee technical operations and lead technology planning. He will also manage the engineering aspects of the facility’s ongoing buildout.
Visual Data Media Services, which provides digital supply chain services to global content owners and distributors, has acquired London-based MX1 UK Limited, which offers content preparation services to leading broadcasters and content owners as a part of SES, the world’s leading satellite operator and managed service provider.
Axle AI has launched Ascribe.ai, which the company is calling a breakthrough in affordability for the artificial intelligence driven transcription of videos. Ascribe.ai is available directly from the Adobe Exchange Application Marketplace at no charge, and includes one hour of free transcription of video content on registration.
Goldcrest Post and CinePointe Advisors will unravel the process of preparing films for distribution in a special two-night workshop aimed at feature film and documentary producers and others responsible for budgeting and supervising films as they make their way through post-production. Sessions will offer insight into the legal, technical and physical aspects of film delivery, covering topics as wide-ranging as how to negotiate delivery terms to the intricacies of OTT delivery specs. Workshop leaders will include CinePointe Advisors business and financial affairs advisor Stacey Smith, Goldcrest Films head of production Gretchen McGowan and Goldcrest Post managing director Domenic Rom.