Asset Management

Trusted Partner Network Upgrades Program

Mon, 02/06/2023 - 12:26 -- Nick Dager

The Trusted Partner Network today announced the launch of its enhanced program with a new membership model, application, and cloud content security assessments, and the TPN+ platform. TPN, which is fully owned by the Motion Picture Association, is leveraging the updated MPA Content Security Best Practices v5.0 to expand its scope to include software application and cloud security in addition to site and work-from-home security assessments.

CineSend Selects Nagra’s NexGuard Protection to Safeguard its Content

Wed, 09/07/2022 - 12:44 -- Nick Dager

The streaming platform CineSend has selected Nagra’s NexGuard forensic watermarking and detecrtion services to safeguard its content. CineSend is widely used by the media and entertainment professionals to host online screening events, virtual festivals, and premium direct-to-consumer offerings. The customer-branded streaming platform is trusted by hundreds of customers across the globe, including Lionsgate, A24, Cineplex, Tribeca and HBO, to keep their high-value content secure.

Remote Picture Labs Names Venezian Director of Business Development

Mon, 08/22/2022 - 11:22 -- Nick Dager

Remote Picture Labs today announced the appointment of Rich Venezian as the company's director of business development. Venezian will work alongside Sal Baldomar, who serves as vice president of sales for Remote Picture Labs, in bringing content creators the hybrid and remote post-production workflows that help them tell their stories and deliver their shows with efficiency.

Who Owns an Indie Film?

Mon, 04/18/2022 - 16:21 -- Nick Dager

Making a successful feature film is one of the most difficult things there is to do. Having adequate financing in place is just part of the challenge. Several other elements are just as critical including a good script, a talented cast and crew, a laundry list of sophisticated technology, decent weather, and a lot of luck. With a completed feature film in hand, a filmmaker still must find a company that shares a passion for that film and will agree to distribute it properly. For many successful independent filmmakers, that is where their job ends. But should it end there?

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