Asset Management

Compression, File Sizes Topics at Next SMPTE Hollywood Section Meeting

Thu, 03/05/2020 - 12:42 -- Nick Dager

The Hollywood Section of the Society of Motion Picture and Television Engineers will explore the evolution of video compression, and new ideas for keeping files small, while preserving quality and creative intent, at its monthly meeting, scheduled for March 26 at the Academy of Motion Picture Arts and Sciences.

Norwegian Film Institute Selects Nagra’s DVnor Organizer

Tue, 02/18/2020 - 10:35 -- Nick Dager

The Norwegian Film Institute has selected Nagra’s media asset management platform DVnor Organizer for secure storage and one-click distribution of its films to more than 170 film festivals worldwide. The system will enable the NFI to receive, store and distribute new cinema titles in high-quality from all the major Norwegian film producers and production companies, as well as store more than 300 catalogue titles. It will also provide subtitling packages in different languages.

Talking with DejaEdit Developer Nikolai Waldman

Mon, 02/17/2020 - 10:57 -- Nick Dager

CAN Film is a boutique post-production and film company based in the heart of Gothenburg, Sweden. Clas Hakeröd and Nikolai Waldman, two highly experienced and trusted names within the industry, started the company in 2015. For the past 20 years they have been producing and post-producing commercials, features, corporate films, documentaries and TV series, like The girl who played with fire, Olympic Games, Saltön, Ettor & nollor, Americas Cup, Uppdrag Granskning, Volvo, IKEA and many more. Recently, Waldman branched out to start the company DejaSoft and develop the editing software tool DejaEdit. Digital Cinema Report spoke with him about how DejaEdit came to be.

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OwnZones, Netflix Work to Streamline IMF Delivery

Mon, 01/27/2020 - 12:54 -- Nick Dager

A major pain point for companies using content supply chain tools in the cloud has been having to download an Interoperable Master Format package locally and re-upload it in order to actually deliver it to a platform. Here’s an all-too-common scenario: you’ve already ingested your content into the cloud, made all the required localizations, and performed final quality control procedures, but when it’s time to deliver your content, it could take you hours upon hours to download and re-upload it to the platform.

AMIA to Bestow Preservation Awards at Annual Conference

Wed, 11/13/2019 - 10:45 -- Nick Dager

At this year’s Association of Moving Image Archivists annual conference in Baltimore, four awards will be presented by the organization to individuals and organizations that have demonstrated exceptional work in the areas of preservation. The ceremony will take place on November 14 at the Parkway Theatre in Baltimore, where the convention runs from November 13-16.

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