Integrated Media Technologies has joined the Active Archive Alliance, which promotes modern strategies to solve data growth challenges. IMT’s software division recently introduced SoDA, an intelligent data management software application that provides real-time, actionable insights for data management strategies and cloud storage spend.
The Association of Moving Image Archivists has launched the AMIA Diversity and Inclusion Fellowship Program a new initiative designed to expand career opportunities, advance learning objectives and guide professionals from groups that have been traditionally underrepresented in the field of audiovisual archiving and preservation.
Ymagis Group has completed the sale of its Éclair Classics subsidiary to L’Image Retrouvée, a subsidiary of the Italian company L’Immagine Ritrovata. The company emphasized that this agreement has no impact on the rest of the Éclair business.
At this year’s Association of Moving Image Archivists annual conference in Baltimore, four awards will be presented by the organization to individuals and organizations that have demonstrated exceptional work in the areas of preservation. The ceremony will take place on November 14 at the Parkway Theatre in Baltimore, where the convention runs from November 13-16.
The Ymagis Group announced today that it has signed a binding letter of intent with L’Image Retrouvée SAS, a subsidiary of the Italian company L’Immagine Ritrovata, with the purpose of successfully implementing a continuation plan for its French subsidiary Eclair Cinéma SAS, currently in receivership.
Éclair has hired Christophe Massie as the new head of its preservation division, effective immediately. An alliance has also been struck with Massie’s conservation and media management company, Orfeo. Under the agreement, Orfeo benefits from Éclair’s European sales and business services and relocates from its current premises to Éclair’s Paris-Vanves and Auxerre locations.
After more than a century, the highly acclaimed 1915 silent thriller Filibus has been fully restored and will be screened at the Eye Filmmuseum in Amsterdam, which is hosting the 10th Women and the Silent Screen Conference this May 25–29. Not only has the museum done a loving restoration of the film but, in the process, they also answered a question that surrounded the movie and added to its success: what was the name of the actress who played Filibus?
Éclair today announced that its Éclair Preservation initiative, which is dedicated to the secure conservation and management of digital and analog media for the film & television sectors, is in accordance with France’s new National Centre for Cinema and the Moving Image (CNC) bylaws. In effect since January 1, the regulation related to feature film production funding requires all recent and upcoming productions applying for financial support from the organization to subscribe to CST-compliant (RT 043) conservation contracts to safeguard the media’s long-term viability.
To give the film First Man a strong sense of authenticity, director Damien Chazelle approached NASA to see if there was any archive footage from the Apollo era. The answer was they did but the footage was all in an obsolete format.
Technicolor PostWorks New York and Prasad Corporation have formed a strategic partnership to provide full-service film scanning and digital restoration services in 8mm, Super8, 16mm, 35mm, 65mm, 2K, and 4K for archival preservation purposes for classic independent films readying for re-release.