Teradek has launched the Bolt 4K monitor modules 1500 TX and 1500 RX, giving users a long-range option with the 1500 monitor modules and a short-range option with the original 750 monitor modules.
SmallHD has introduced the OLED 22 4K production monitor. “DITs, DPs, and colorists have been waiting for what feels like forever to replace their ancient HD OLED monitors,” said Greg Smokler, Creative Solutions vice president of product. “That’s why we spent over 2 years building OLED 22, the first lightweight 4K OLED production monitor equipped with a feature set that finally enables critical monitoring of 4K images, both on set and in the color suite.
Visual Data Media Services, the West London provider of digital supply chain services to global content owners and distributors, has announced the opening of a new digital screening room. The new facility is fully 4K and Dolby Atmos capable and comprises a 10-seat theatre built around a NEC 4K projector and fed by a Doremi digital cinema server. A Dolby Atmos CP950 sound processor is linked to JBL speakers and Crown amplifiers.
BAFTA and Emmy award-winning visual effects and animation house Jellyfish Pictures is using Pixit Media’s PixStor’s new secure container services to meet the highest security accreditation standards, while supporting collaborative workflows across its multiple sites.
The Rochester Institute of Technology, a leading university in Western New York, has upgraded its facilities to include a world-class creative technology and design hub at Magic Spell Studios. The 52,000-square-foot space brings together RIT’s academic strengths in game design and development, film and animation, new media design and more.
Three-time Academy Award-winning filmmaker Ang Lee’s much anticipated new film, Paramount Pictures’ Gemini Man, premieres October 6 at the TCL Chinese Theatre in Los Angeles. As has been the case with Lee’s most recent work, the film stretches technological boundaries by being produced in 4K resolution, stereoscopic 3D, and shot at 120 frames per second. The premiere will use Cinity, the new HFR cinema projection system developed by Christie for Huaxia Film Distribution. Christie’s strategic partnership with Huaxia Film Distribution and GDC Technology Limited resulted in the development of the Cinity Cinema System based on two Christie CP4450-RGB HFR projectors.
Huaxia Film Distribution recently held a grand launch in Beijing to formally introduce the Cinity Cinema System, which was unveiled earlier this year in Las Vegas at CinemaCon. A trailer of Gemini Man, the new film by Oscar award winning director Ang Lee was shown. Lee used the Cinity Cinema System to produce his latest film, Gemini Man in 4K stereoscopic 3D at 120 frames per second. He screened a trailer of the new film and made a video address to the audience gathered for the event.
Atomos Limited has introduced Neon, an all-new line-up of precision 4K HDR field monitor-recorders for on-set or in-studio production where reliable and trustworthy monitoring is essential. Neon comes in four screen sizes, 17-inch, 24-inch, 31-inch and 55-inch, ensuring that no matter the critical production usage, every crew member sees an accurate image representation so directors know with confidence that they have got the shot, that cinematographers ensure consistent exposure, focus pullers maintain the sharpness of an actor's eyes, and so editors and color graders can lock down the creative intent from shot to shot.
Films at 59, one of the UK’s leading post houses, has installed a Pixit Media PixStor scalable storage platform to support its 4K high-end grading and finishing work. Founded in 1990, Films at 59 is an award-winning pre- and post-production house, with sites in Bristol and Cardiff and collaborative working relationships worldwide. Delivering across all genres, the company is renowned for its achievements in high-end broadcast, particularly in factual entertainment and natural history.
A highlight of this year’s CinemaCon, which wrapped up Thursday, April 4, at Caesars Palace in Las Vegas, was the announcement of the formation of the Cinity Cinema System, a joint effort between the Huaxia Film Distribution Company, Christie Digital Systems and GDC Technology to “develop, leverage and promote premium format movies driven by new, advanced configurations.” The announcement follows several years of debate in Hollywood and around the world regarding the best way to move forward with critical technology issues including high dynamic range, high frame rate, wide color gamut and immersive sound. Those issues were widely discussed at CinemaCon and we will have more to say about the show in the coming days. But the Cinity Cinema System announcement stands out because it feels like a watershed event. The question now is this: is Hollywood still the center of the motion picture industry or is that center shifting to China?
