Documenting an Endangered Spider Monkey

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Tue, 01/19/2016 - 11:48 -- Nick Dager

Cinematographer Danny SchmidtWildlife cinematographer Danny Schmidt plunged into Colombia’s remote Magdalena River Valley earlier this year to document the plight of the critically endangered brown spider monkey in a project for National Geographic. Schmidt and camera operator Federico Pardo had just eight days to locate the rare albino spider monkeys (their albinism is a genetic abnormality cause by habitat degradation), record their story and capture the fragile environment in which they live.

Their task was complicated by the sweltering jungle environment, omnivorous insects and the fact that just two of the monkeys were known to exist.

“As luck would have it, we were able to film these incredible ghosts of the forest for several hours,” recalls Schmidt. “They ate, they wrestled, they stared down at us with big, curious eyes from the top of the canopy. It’s incredible to see these giant, white figures in treetops, flying through the branches with their prehensile tails.”

“Shooting these extremely rare albino monkeys in the Colombian jungle was an incredible experience,” he adds. “I hope this story brings attention to the plight of tropical forests in the face of rampant resource development.”

His camera package included Cartoni’s Focus HD fluid head supplied by Manios Digital & Film. Small enough to fit snugly in Schmidt’s backpack, the head combines lightweight design with Cartoni’s patented counterbalance system and proven reliability.

“Working in the jungle, it’s important to have gear you trust will function time and time again,” Schmidt says, “even in gnarly conditions when you’re breaking it down and setting it up 20 times a day.”

Schmidt used Focus HD in tandem with Cartoni’s Stabilo tripod to support a Sony FS7 camera and an assortment of long lenses. “Focus has a 100mm ball head which translates into bigger payloads,” he explains. “That’s important to me as I work with a pretty big camera and bigger lenses. Focus provides the solid, smooth performance you’d expect from a bigger, more expensive head.”

Cartoni has just introduced four new additions to its Focus line— Focus 8, Focus 12, Focus 18 and Focus 22—designed for HDSLR, UHD, ENG, EFP and digital cinema cameras, among others.  Supporting packages from 0 – 22kg, they are aimed at independent producers, ENG operators and documentarians like Schmidt. “Cartoni gear allows me to move quickly and work quietly,” Schmidt notes. “I like that.”

Manios Digital & Film http://www.maniosdigital.com