The Ymagis Group’s today reported an increase in revenue of 7.2 percent in the first quarter of 2019 following four consecutive quarters in decline. Thanks to robust equipment sales and its geographical expansion, CinemaNext recorded a 45 percent increase in revenue at €17.0 million, which more than offset the scheduled reduction in virtual print fee revenue.
For the fourth consecutive year, Volfoni will be the official 3D technical partner for all 3D screenings at the 72nd Cannes Film Festival, which takes place May 14-25 in the Palais des Festivals et Congresses, in La Croisette, France.
This year, as it has for more than twelve years, Harkness Screens will be the official screen provider for the Cannes Film Festival May 14-25. The screens come from the Harkness French Demospec Manufacturing Facility.
Production sound mixer Adam P. Lawrence has had a lifelong love for audio/visual storytelling. For the last decade, Lawrence has turned that passion into a career, mixing audio on countless film and television productions. As with any field production, radio frequency interruptions rank highly on the list of worst-case scenarios among audio professionals.
Am I alone in thinking that filmmakers and exhibitors have embraced the digital cinema transition with more enthusiasm, creativity and intelligence than the Hollywood studios? Given that Hollywood started the drive to digital, that would be incredibly ironic. I ask this because, last week in Vanity Fair, Nicole Sperling wrote a fascinating article about the current debate apparently raging in Hollywood over the question: what is a movie? But the article raised a different question for me: in the second decade of the digital cinema era, what is a movie theatre?
The MENA Cinema Forum, the region's largest event of its kind, will return to Dubai from October 22-24, promising more than 60 speakers and 800 experts in the field of cinema production, exhibition and distribution from 50 countries, it will be spread over two levels at Conrad Dubai.
Global content studio Gunpowder & Sky has acquired worldwide rights to Sebastian Jones and Ramez Silyan’s SXSW music documentary, Everybody’s Everything. The film follows the life and career of Lil Peep, the genre-bending rapper who was just rising to fame when he died of an accidental drug overdose at 21 years old. Dubbed the future of emo by Pitchfork, Gustav Åhr was influential in bringing emo and pop-punk to hip-hop through his mixtapes, released via SoundCloud. Ahr’s first mixtape, 2015’s Lil Peep Part One generated 4,000 plays in its first week.
Studio Canal, a subsidiary of Canal+ Group, has deployed Nagra’s NexGuard forensince watermarking technology to protect the international distribution of its content.
Cinergy Entertainment Group has opened four new auditoriums at its Odessa, Texas location representing 536 additional luxury reclining seats.
The latest free firmware upgrade to Panasonic’s AK-UC4000 4K/HD HDR-capable camera system has added V-Log output, incorporating the full power of the colorimetry of the company’s line of VariCam and AU-EVA1 cinema cameras and making the camera useful for post-production workflows. With the inclusion of V-Log, the AK-UC4000 has earned approval of the Netflix Post Alliance for creating Netflix-approved content, joining the VariCam 35, VariCam LT, VariCam PURE and EVA1 on the sanctioned list.
