ScreenX Wins the 2019 CTC Technology of the Year Award
CJ 4DPlex’s ScreenX has won the 2019 CTC Technology of the Year Award from the not-for-profit independent trade organization Cinema Technology Community
CJ 4DPlex’s ScreenX has won the 2019 CTC Technology of the Year Award from the not-for-profit independent trade organization Cinema Technology Community
Screenvision Media today announced the launch of Screenvision Sports, a new division that will capture advertising dollars to drive incremental revenue for professional sports leagues, teams and properties. Initial partnerships with the New York Mets, Minor League Baseball, ISM Connect, which manages digital fan experiences for NASCAR; and the American Hockey League, projecting an audience of more than 40 million for the 2020 season.
Earlier this year the non-profit organization Women in Exhibition was formed to become a worthwhile resource for every woman in exhibition by offering positive mentoring programs, educational and support activities and to assist with both existing and transitional career opportunities. This week, two of WIE’s executive committee and founding members spoke at the second annual Emerging Cinema Markets Conference, which is wrapping up today at the Grand Tarabya Hotel in Istanbul.
James Longeretta, owner of post-production systems provider Vortechs, has teamed with veteran supervising sound editor/re-recording mixer Joe Schultz (Once Upon a Time, Lost, Amazing Stories for Apple TV) to launch Waterman Sound. The facility offers sound editorial, sound design, mixing, and automated dialogue replacement from its newly built studio in Toluca Lake, California. The company has hired ADR mixer Marilyn Morris (Captain Marvel, Miss Sloane), formerly of Skywalker Sound and Dubbing Brothers, to helm its ADR stage
Veteran colorist Kevin Michael Kirwan (American Crime Story, American Horror Story) has joined Periscope Post & Audio. Kirwan brings more than 20 years of experience as a senior colorist and credits on more than 40 television series. At Periscope, he will perform final color out of an all-new color-grading suite in Periscope’s facility in Hollywood, which launched earlier this year.
For as long as he can remember, producer/mixer Alvin Wee has loved music and film; and he was fortunate enough to cut his teeth working with composers and record producers in Los Angeles on film projects such as Kung Fu Panda, Kingsman and Eddie the Eagle. Having such a strong background in the industry, Wee takes pride in knowing that when someone hands a project off to him it will be done correctly, and well.
Cinépolis will make its entry into Northern California on November 22 with the soft opening of Cinépolis Luxury Cinemas San Mateo. The 837-seat, 10-screen, 50,042-square-foot luxury theatre will serve as the entertainment anchor for Hillsdale Shopping Center.
The Kuwait National Cinema Company has installed Unique X’s RosettaBridge theatre management systems product suite within the Kuwaiti territory, enabling KNCC theatres, operating under the Cinescape brand, to automate and centrally manage its theatre portfolio, while automating much of the daily booth operations. The technology package also includes a Basekey key digital messaging system.
Announcing its participation in the Emerging Cinema Markets conference in Istanbul November 19-21, Influx Worldwide has extended its dedicated African program of cinema technology products and services for African movie theatres – It’s Showtime for Africa – into 2020. The program is offered on a low- to no-cost basis to qualifying cinema exhibitors, to enable digital movie ticketing, loyalty and subscription programs for moviegoers across the continent.
Established in 1994 by composer, sound designer and dialogue director Rob King, Green Street Studios has accumulated more than 20 years of experience in audio and music production for video games, film, music and other media. Anticipating the growing acceptance of immersive-sound projects for games, film and television, King spent much of the last two years auditioning speakers for the 7.1.4 array he knew would become the standard in the emerging immersive media environment.