Dolby Laboratories and the Kuwait National Cinema Company have entered into a three-screen agreement for the first deployments of Dolby Cinema in Kuwait. The first site is expected to open later this year at the 360 Mall in Kuwait City with KNCC operating under the Cinescape brand.
View All Content
Netflix is developing its first European production hub in Madrid, the company announced Tuesday. The production facility will be located at Ciudad de la Tele, a sprawling 22,000-square-meter campus in Tres Cantos, and will be central growing Netflix's slate of Spanish-language original content.
The supervisory board of the Arri Group with headquarters in Munich, Germany, has appointed Dr. Michael Neuhaeuser, effective September 1, as its new executive board member responsible for technology. He succeeds professor Franz Kraus who, after more than 30 years work for the Arri Group, joins the supervisory board and will continue to be closely associated with the company.
Cinemas worldwide are preparing for what is now commonly called the second wave: a technology renewal where they will install next-generation digital projection equipment. However, the journey ahead poses different considerations and challenges compared to the film-to-digital conversion of the first wave. Before we forge ahead, it’s important that we consider the old adage: To know where we’re going, we need first to know where we’ve been. So let’s take a look.
Bestar Cinemas in RuiAn, China has become the first Chinese multiplex to open an ÉclairColor high dynamic range auditorium. The Ymagis Group and Chinese cinema systems integrator Great Ocean made the announcement today.
On Wednesday CJ 4DPlex opened the first European 4DX with ScreenX theatre through a partnership with Les Cinémas Pathé Gaumont. Marvel Studios’ Ant-Man and The Wasp debuted in the 4DX with ScreenX format in Paris at the exhibitor’s Pathé Beaugrenelle multiplex.
The Event Cinema Association has named Grainne Peat to be its new managing director. She replaces ECA founder Melissa Cogavin who recently stepped down as managing director.
Spurred by growth in international film production, improved local incentives and a strong pool of talent, Rising Sun Pictures has launched a major, new expansion effort. The visual effects studio is adding significant space and technical resources to its Adelaide production studio and expects to grow its staff by nearly one-third over the next few months.
On July 27 Tom Cruise returns for the sixth time as agent Ethan Hunt when Mission Impossible: Fallout opens in theatres around the country. And on that same opening weekend, patrons of Regal Cinemas will receive their free copies of the third installment of Moviebill, the marketing brainchild of Concourse Media principals Andrew Felts and Matthew Shreder.
Arts Alliance Media and Deluxe Technicolor Digital Cinema have collaborated to deliver the industry’s first truly automated key delivery message management service, representing a significant step towards the promise of fully automated cinema management.
The Riverside company has announced taking a minority stake in New York cinema advertising company Screenvision Media. Terms of the deal were not disclosed.
Technicolor's Academy Award winning VFX studio, Mill Film, has named Mark Thorley to head Mill Film in Australia. The announcement comes in the wake of the February launch of Mill Film in Adelaide, Australia.
CinemaNext has opened new facilities in Liège-Barchon, Paris-Asnières-sur-Seine and Düsseldorf. The result is an optimized, cost-effective and fully secured supply chain organization to support the sustainable organic growth of CinemaNext and its subsidiaries across Europe, North America, Africa, Middle East and Central Asia.
Superfly is Columbia Pictures’ reimagining of Gordon Parks Jr.’s classic 1972 crime drama that defined its genre through its characters, look, sound and feel. Helmed by Director X and written by Alex Tse, the new movie transports the story of Priest (Trevor Jackson), from Harlem to modern-day Atlanta and reenergizes its vibe for a new generation. The movie’s sound team from Sony Pictures Post Production Services, led by supervising sound editor Steven Ticknor, supervising sound editor and re-recording mixer Kevin O’Connell, re-recording mixer Greg Orloff and sound designer Tony Lamberti, was tasked with bringing the sonic elements of Priest’s world to life. That included everything from building intricate soundscapes for Atlanta’s neighborhoods and glitzy nightclubs to supplying the thunderous fireworks for gun battles and car chases.
The Hollywood Section of the Society of Motion Picture and Television Engineers recently hosted students from colleges and universities across Southern California for Career Day, a day-long event focused on technology-oriented employment opportunities in the media and entertainment industry. The event included speeches, roundtables, and panel discussions from industry leaders on subjects ranging from job-seeking strategies to emerging technologies employed in cinema, broadcast, and virtual reality production.
In its recent elections, the European Digital Cinema Forum selected several new board members, covering a wide range of the cinema business across many European countries. This breadth is good for the EDCF and is important for the group so that it can continue to take into account all members’ interests and provide real value to the industry as a whole
The Association of Moving Image Archivists, in partnership with The Film Foundation, are offering two levels of training for projectionists and staff presenting 35mm film in theatres this year. Level one will take place in Chicago August 28-30, and level two in Boston October 15-17.
With a passion for movies that he’s had for as long as he can remember Mark Louis, director of presentation for Alamo Drafthouse Cinemas, started working in the theatre industry almost 40 years ago. When watching movies, he realized early on that the slightest imperfection in the presentation was a distraction. Even unavoidable distractions like on-screen cue marks on 35mm film prints would grab his attention. He says he found himself wondering why imperfections like those marks were present and could they be avoided. That frustration with a less than perfect presentation and a fascination with how movie magic actually worked is what lured him to the technical side of the business where he remains to this day. I recently spoke with Louis about his career in exhibition and his role at Alamo Drafthouse Cinemas.
This Thursday, in conjunction with the official grand opening of B&B Theatres’ newly-built, state-of-the-art, flagship Liberty 12 location in Liberty, Missouri – the largest ScreenX auditorium in the world will open to the public. It will be located on a screen measuring more than four stories tall and seven stories wide, with the capacity to seat 244 attendees.
New York Women in Film & Television have announced the latest recipients of NYWIFT Scholarships and Awards. With support from the Ha Phuong Foundation this year, the newly re-branded NYWIFT Ha Phuong Scholarships provide a $5,000 scholarship each year to a second-year female film student at the Brooklyn College Feirstein School of Cinema, City College of New York, Columbia University, New York University, and the Stony Brook/Killer Films MFA in Film program